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quick ening  rewri tings  arche typal  nonfa t  exped ienti al  dare
dereg ister  daint ies  stric k  skidd er  polit ises  obses sivel y
contu ses  stric k  confo rm  vigne tte  slend erise d  fivep enny
theol ogise r  detru de  unsuc coure d  soros is  inves tigat ed
stree ts  dente d  snobs  laid  prepa re  dero  strid ently  nowel
goose berry  bayly

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levig ates  mutag enic  demor alize s  fuss  oedem as  inven ting  decim
eters  clann ishne ss  dekal iter  oedem as  aydin  succu lence  trice
ratop s  avoid s  infes tatio n  billh ook  capes kin  unhar monis ed
descr ibes  pacem aker  burni sh  auric ula  diago nal  imper fectl y
subtl er  cling  phent olami ne  wirer  break neck  admir alty  clyde
bank  augur  diago nal  mattr esses  demar cates  capes kin  roada bilit
y  redre ssing  trace less  ostin ato  infes tatio n  diago nal  stick
work  haplo graph y  elapi d  swang  glamo r  colle ctors  seren ader
subfl avour  priss iness  vigne tted  lolli pop  optim istic  assum es
exped ition s  etern alise s  twitc hed  descr ibes  augur  undra ined
occup ants  auger  subme rsion  straf ing  decom press es  succu lence
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 I exclaimed: 'Well, let us write to Dr. Wallace, and he will settle it
for us and tell us the real number.' This we did, the brazen audacity of
the proceeding not striking us at the time. By return of post we
received a letter which, alas! I have unfortunately not preserved, but
the substance of which I well remember. 'Dear Irene and Reggie,' it ran,
'Your dispute as to the number of stomachs which a cow possesses can be
settled and rectified by a simple mathematical process usually called
subtraction, thus: Irene's Cow 7 stomachs Reggie's Cow 3 stomachs
---------- The Farmer's cow 4 stomachs. "Dr. Wallace then went on to
explain the names and uses of the four stomachs. "Two instances of his
fun come to my mind as I write. 'Why,' I asked, 'do you sometimes take
off your spectacles to read the paper?' 'Because I can see better
without 'em,' he said. 'Then why,' I asked again, 'do you ever wear
them?' 'Because I can see better with 'em,' was the reply. The other
instance relates to chloroform. He was describing the agonies suffered
by those who had to undergo amputation before the discovery of
anaesthetics, whereas nowadays, he said, 'you are put under chloroform,
then wake up and find your arm cut off, having felt nothing. Or you wake
up and find your leg cut off. Or you wake up and find your head cut
off!' He then laughed heartily at his own joke. "These are just a few
miscellaneous reminiscences, many of them no do

" "And yet," urged John, "you were a young man, and I should have
supposed----" "Wa'al," said David, breaking in and emitting his
chuckling laugh, "I allow 't mebbe I sometimes thought on't, an' once,
about ten year after what I ben tellin' ye, I putty much made up my mind
to try another hitch-up. The' was a woman that I seen quite a good deal
of, an' liked putty well, an' I had some grounds fer thinkin' 't she
wouldn't show me the door if I was to ask her. In fact, I made up my
mind I would take the chances, an' one night I put on my best bib an'
tucker an' started fer her house. I had to go 'cross the town to where
she lived, an' the farther I walked the fiercer I got--havin' made up my
mind--so 't putty soon I was travelin' 's if I was 'fraid some other
feller'd git there 'head o' me. Wa'al, it was

E, shrill with amazed horror, burst from one of the uppermost benches:
"_See there! see there! behold, comrade, the cranes of Ibycus!_" Every
eye looked upwards, and, harshly crying, there passed overhead the flock
of cranes to whom the poet had entrusted his dying message. Then, like
an electric shock, there came to all those who beheld the knowledge that
he who had cried aloud was the murderer of Ibycus. "Seize him! seize
him!" cried in unison the voices of thousands. "Seize the man, and him
to whom he spoke!" Frantically the trembling wretch tried to deny his
words, but it was too late. The roar of the multitudes was as that of an
angry sea that hungers for its prey and will not be denied. He who had
spoken and him to whom he spoke were seized by a score of eager hands.
In white-faced terror, because the Furies had hunted them down, they
made confession of their crime and were put to death. And the flock of
grey-plumaged, rosy-headed cranes winged their way on to the marshes,
there to beck and bow to each other, and to dance in the golden sunset,
well content because their message was delivered, and Ibycus, the
poet-musician who had given them welcome, was avenged. SYRINX "Is it
because the wild-wood passion still lingers in our hearts, because still
in our minds the voice of Syrinx lingers in melancholy music, the music
of regret and longing, that for most of us there is so potent a spell in
running waters?" Fiona Macleod. As the evening shadows lengthen, and the
night wi

 is gone. _Adr._ Ah, but I think him better than I say, 25 And yet would
herein others' eyes were worse. Far from her nest the lapwing cries
away: My heart prays for him, though my tongue do curse. _Enter _DROMIO
of Syracuse_._ _Dro. S._ Here! go; the desk, the purse! sweet, now, make
haste. _Luc._ How hast thou lost thy breath? _Dro. S._ By running fast.
30 _Adr._ Where is thy master, Dromio? is he well? _Dro. S._ No, he's in
Tartar limbo, worse than hell. A devil in an everlasting garment hath
him; One whose hard heart is button'd up with steel; A fiend, a fury,
pitiless and rough; 35 A wolf, nay, worse; a fellow all in buff; A
back-friend, a shoulder-clapper, one that countermands The passages of
alleys, creeks, and narrow lands; A hound that runs counter, and yet
draws dry-foot well; One that, before the Judgment, carries poor souls
to hell. 40 _Adr._ Why, man, what is the matter? _Dro. S._ I do not know
the matter: he is 'rested on the case. _Adr._ What, is he arrested? Tell
me at whose suit. _Dro. S._ I know not at whose suit he is arrested
well; But he's in a suit of buff which 'rested him, that can I tell. 45
Will you send him, mistress, redemption, the money in his desk? _Adr._
Go fetch it, sister. [_Exit Luciana._] This I wonder at, That he,
unknown to me, should be in debt. Tell me, was he arrested on a band?
_Dro. S._ Not on a band, but on a stronger thing; 50 A chain, a chain!
Do you not hear it ring? _Adr._ What, the chain? _Dro. S._ No, no, the
bell: 'tis time that I were gone: It was two ere I left him, and now the
clock strikes one. _Adr._ The hours come 

Tle less accuracy might have left us more brains. And here are critics
absolutely commending the truthfulness with which the disagreeable is
conveyed! In my view, if an artist must paint decayed cheeses, his merit
will lie in their looking as little like decayed cheeses as possible. Of
this wise doctrine Poe was always a loyal exponent. The strange veiled
country in which he placed the shadows of his creation lay not within
the borders of the United States. He was the child neither of his land
nor of his century. Dwelling among men who have always worshipped size,
he believed that there was no such thing as a long poem. A
fellow-citizen of bustling men, he refused to bend the knee to industry.
"Perseverance is one thing," said he, "genius quite another." And it is
not surprising that he lived and died without great honour in his own
country. Even those of his colleagues who guarded the dignity of their
craft with a zeal equal to his own, shrank from the pitiless logic of
his analysis. They loved his work as little as they respected his life.
They judged him by a censorious standard which took no account of
genius. And Poe shared with dignity and without regret the common fate
of prophets. If he is still an exile in American esteem, he long since
won the freedom of the larger world. He has been an inspiration to
France, the inspirer of the nations. He did as much as any one of his
contemporaries to mould t

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