webadmin-japanese — Webmin Japanese language discussion

生成されるパスワード桁数：useradmin、random_password=1

[Goto, R. <rg...@oe...>]

後藤と申します。

　/etc/webmin/useradmin/config にて random_password=1 を指定して、
System/User&Groupにて新規ユーザを作成しようとすると、「通常のバスワ
ード」にランダムな文字列のパスワードを生成してくれますが、パスワード文
字列の桁数が15桁に固定されています。
　今回、20桁で生成させたいのですが、その指定方法が分かりません。
　ちなみに passwd_min を、passwd_min=20 と指定してみましたが、「作成」
ボタンをクリックした際、「桁数不足」になるだけで、生成される文字列は15
桁のままです。

　Webminに自動生成させるパスワードの桁数を指定する方法、どなたかご教
示願います。

=================================================
後藤　良一

Ct Gutenberg-tm electronic works. Nearly al

[Abramek S. <sy...@en...>]

At the affront put upon him, he gave no sign. He was not one who wore
his emotions where they could be read by all who ran, or even by those
who sat and openly studied him with malice and amusement. His face was
as serene as usual, and his envied
gift of turning events of the monotonous everyday
veld life into interesting topics of conversation remained unimpaired.
He had even risen, as always, with his air of careless courtesy,
to open the door for the woman who walked over his flowers. The fact
remained, as the manager said to the foreman after lunch, that he had
certainly "caught it in the neck," and must have felt it somewhere.
Perhaps he did. Perhaps he merely congratulated himself that the little
scene when he had given the roses to Miss Chaine had been lost by
everyone except
the children, who were too young and self-engrossed to value its
subtlety. Either by accident or design, he had come to lunch a little
earlier than usual, and as
Miss Chaine and the children were always in their seats a
good ten minutes before the rest of the party, it was quite
simple for him, entering quietly and before she even knew of his
presence, to lay the bunch of fragrant
roses across her hands. A sweep of heavy delicious perfume rose to her
face, and she gave a little rapturous
"Oh!"

ractical works. "With

[Milliman S. <ter...@me...>]

Y thing or nothing_. When I heard this delivered, I did not believe my
ears. I denied to others
that it was said.... Out came the charge, and the words could not
be mistaken. This astonished me the more, because I published that
Letter to him, (how unwillingly you know,) on the understanding that
_I_ was to deliver his judgment
on No. 90 _instead_ of him. A year
elapses, and a second and heavier judgment came forth. I did not
bargain for this,--nor did he, but the tide was too strong for him. "I
fear that I must confess, that, in proportion as I think the English
Church is showing herself intrinsically
and radically alien from Catholic principles, so do I feel the
difficulties
of defending her
claims to be a branch of the Catholic Church. It seems a dream to call
a communion Catholic, when one can neither appeal to any clear
statement of Catholic
doctrine in its formularies, nor interpret ambiguous
formularies by the received and
living Catholic sense, whether past or present. Men of Catholic

views are too truly but a party in our Church. I cannot deny
that many other independent circumstances, which it is not worth while
entering into, have led me to the same conclusion.
"I do not say all this to every body, as you may suppose; but I do not
like to make a secret of it to you."

2. "Oct. 25, 1843. You have engaged in a dangerous correspondence; I am
deeply sorry for the pain I shall give you. "I must tell you then
frankly, (but I combat arguments which to me, alas, are shadows,)
that it is not from disappointment,

irr

Your wife photos attached

[Wanvig Z. <bow...@sa...>]

Your wife photos

Issembled the emotion that suddenly swelled big in

[Schlotfeldt <pas...@pe...>]

Liked it?"--and then, with a nod clearly meant as a farewell, flew out of sight. The Duchessa smiled again at Peter, with intention. "You must really try to
take a cheerier view of things," she said. And next instant she too was off, walking slowly, lightly, up the green lawns, between the trees, towards the castle, her gown fluttering in the breeze, now dazzling
white as she came into the sun, now pearly
grey as she passed into the shade. "What a woman it is," said Peter to himself, looking after her. "What vigour, wha

virtu alize invul nerab ly ringi ng where after

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had been le

[Dorosan <fan...@de...>]

D went away. The next morning he went to the place and took the covering
off, and saw that the clay shapes had changed a little. The second
morning there was still more change, and the third still more. The
fourth morning he went to the place, took the covering off, looked at
the images, and told them to rise and walk; and they did so. They walked
down to the river with their Maker, and then he told them that his name
was _Na'pi,_ Old Man. As they were standing by the river, the woman said
to him, "How is it? will we always live, will there be no end to it?" He
said: "I have never thought of that. We will have to decide it. I will
take this buffalo chip and throw it in the river. If it floats, when
people die, in four days they will become alive again; they will die for
only four days. But if it sinks, there will be an end to them." He threw
the chip into the river, and it floated. The woman turned and picked up
a stone, and said: "No, I will throw this stone in the river; if it
floats we will always live, if it sinks people must die, that they may
always be sorry for each other."[1] The woman threw the stone into the
water, and it sank. "There," said Old Man, "you have chosen. There will
be an end to them." [Footnote 1: That is, that their friends who survive
may always remember them.] It was not many nights after, that the
woman's child died, and she cried a great deal for it. She said to Old
Man: "Let us change this. The law that you first made, let that be a
law." He said: "Not so. What is made law must be law. We will undo
nothing that we have done. The child is dead, but it cannot be changed.
People will have to die." That is how we came to be people. It is he who
made us. The first people were poor and naked, and did not know how to
get a living. Old Man showed them the root

," he added, militantly. The last Graham saw of hi

[Schenkel <vi...@ja...>]

Y anybody wants it. It's a poky little place. But--well, it doesn't
matter about the house. I called up some people to-day who have been
wanting one in this neighborhood and I'm practically sure they'll take
it." "But--you and Chris--" "We have separated, Clay. At least, Chris
has gone. There's a long story behind it. I'm not up to telling it
to-night. And this money will end part of it. That's all I'm going to
tell about the money. It's a small sum, isn't it, to break up a family!"
"Why, it's absurd! It's--it's horrible, Audrey." "Oh, it isn't the
money. That's a trifle. I just had to have it quickly. And when I
learned I needed it of course the banks were closed. Besides, I fancy
Chris had to have all there was." Clayton was puzzled and distressed. He
had not liked Chris. He had hated his cynicism, his pose of
indifference. His very fastidiousness had never seemed entirely genuine.
And this going away and taking all Audrey's small reserve of money--
"Where is he?" "I don't know. I believe on his way to Canada." "Do you
mean--" "Oh, no, he didn't steal anything. He's going to enlist in the
Canadian army. Or he said so when he left." "Look here, Audrey, you
can't tell me only part of the story. Do you mean to say that Chris has
had a magnificent impulse and gone to fight? Or that he's running away
from something?" "Both," said Audrey. "I'll tell you this much, Clay.
Chris has got himself into a scrape. I won't tell you about that,
because after all that's his story. And I'm not asking for sympathy. If
you dare to pity me I'll cry, and I'll never forgive you." "Why didn't
he stay and face it like a man? Not leave you to face it." "Because the
only person it greatly concerned was myself. He didn't want to face me.
The thing that is driving me almost mad is that he may be killed over
there. Not because I love him so much. I think you know how things have
been. But because he went to--well, I think to reinstate himself in my
esteem, to show me he's a man, after all." "Good heavens, Audrey. And
you went through dinner with all this to bear!" "I've got to carry it
right along, haven't I? You know how I've been about this war, Clay.
I've talked and talked about wondering how our men could stay out of it.
So when the smash came, he just said he was going. He would show me
there was some good stuff in him still. You see, I've really driven him
to it, and if he's killed--" A surge of resentment against the absent
man rose in Clayton Spencer's mind. How like the cynicism of Chris's
whole

ine. The arts necessary

[Lohrey C. <rei...@de...>]

Al sentiments, which recognize human fraternity. Nevertheless, this
"practical occultism," abnormal and egotistic though it be, may develop
marvellous powers, at which we may wonder as we do at the skill of an
acrobat or the pugilism of Sullivan. It cultivates a will power and a
spirituality by which miraculous phenomena may be shown, but they are of
little real value

carried a bag containing clean under linen and other odds and e

[Falterman <du...@se...>]

Says at once" replied Marshland, "I wonder when the next train is." "I
can tell you" cried Mr. Palsey producing a time table from his pocket
and running his finger down the column. "Poor Helen" said Gladys kissing
her fondly. "Seven fifteen is the next" said Mr. Palsey, "that'll give
you nice time to get ready," and it gets to Warwick at 11-30. "That will
do" replied Helen "will you put my things together for me, I feel so
faint." "Yes dearie" replied Marshland. Now Helen dear you re

Vard in 1798, a small man of an almost feminine sensibility, with a

[Greil L. <ta...@ed...>]

Taly, where he was to spend the remainder of his life, with the
exception of five years' residence in New York. Two of his earlier
figures are his most famous, his "Nydia" and his "Lost Pleiad." Scores
of replica

CK RED ORANGE RED YELL

[Heitmann <se...@fo...>]

Cold or receding colors. * * * * * TABLE OF CONTENTS Paragraph. Page.
Adjoining Rooms 38 to 47 Advancing Colors 77, 78, 79, 80, 89 Angles,
Illusion of 113, 114, 115, 117 Artificial Light, Colors of 86 Balance of
Pattern 75, 76 Borders 61, 62, 81, 86 Bric-a-brac 60, 89 Black, The Use
of 33 Color Nomenclature 9 Complexion 160 Contrasting Colors 12, 14 to
24 Contrast Analogies 17 to 20 Ceiling 37, 42, 43, 93 Curtains 53 to 56
Cove and Ceiling 56 Cornice 63 Chair Coverings 64 Colors that Give Size
to a Room (See Receding Colors) Carpet 81 Color Sympathies 95 Curves,
The Use of 107, 108, 111, 114, 116, 118 Color Terms 120 to 134 Chart 127
Dress, Depressing Influences 161 Dress, Woman's 160 Decorative
Illumination 141 Definitions 89 Draperies 42, 43 Decorative Proportions
37 Exciting Colors 94, 160 Frieze, The Use of (See Wall Proportions,
also Room Combinations) Floors 42, 81, 84, 86, 87 42, 43 Gray, The Use
of 32, 91, 92 Guide to Color Harmony 127 Harmonies Mechanically
Determined 132 Height Effects 75, 76 Harmony of Analogy 13, 17, 27, 93
Harmonies 10 Illusion in the Use of Lines 107 to 119 Intensification of
Color 31, 33, 159 Joy in Lines (See Curves) Lights and Shadows 158
Lighting a Room, Candle-power Needed 157 Light Installation 84 Light,
Effect on Color 82 Luminous Colors (See Advancing Colors) Large Room,
Dark 34 Low-Ceiling Rooms 58 Large Rooms 58 Large, Well-Lighted Rooms 26
34 Light 1, 8 Mixing Colors 8 Neutrals 121 National Types of Color 47,
48 Nature Colors 35, 96 North Light 37, 59, 90, 91 Proportions in Color
Contrast 22 to 24, 28 to 30, 35 Pigments, The Use of 22 Proportions
Effected by Design (See Decorative Proportions) Proportions Effected by
Color 77 Period Uses of Color 4

Ason, he turned to the minister, and

[Kershbaumer <st...@ch...>]

, this rebuff only rankled in my soul. I determined to revenge myself on
the paltry malignant who dared to despise my efforts. I therefore wrote 

G up with him when I was myself far from well; nor was

[Whooper L. <av...@bs...>]

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