upstage-cyposium — list for organising the cyberformance symposium

[Cyposium] Reading Nauru Files 2019

[Helen V. J. <he...@cr...>]

I am participating as a reader in this 24h event on Facebook this Friday
(might start on Thursday for some). Your attendance/support on the day
would be greatly appreciated by the 70+ readers from around the world.

READING THE NAURU FILES 2019

>From 9am Nauru Time on 19 July until 9am on 20 July 2019 – ATTENTION:
time and day will vary according timezones – people from around the
world will read the leaked reports contained within The Nauru Files as
part of a 24-hour networked performance live streamed on this Facebook
event page: https://www.facebook.com/events/320063375568971

Please note that the date and time of the performance will vary
depending on your location. To check/convert the date and times into
your timezone, please this online time zone converter:
http://bit.ly/32j4lDW 

Feel free to share the event amongst your networks
https://www.facebook.com/events/320063375568971

++++++++++++++++


INFORMATION ON THE PROJECT
READING THE NAURU FILES 2019

The Nauru Files are leaked reports from staff (Save the Children
teachers, caseworkers, recreational staff and some may have been written
by security) relating to abuses, self-harm, and neglect of refugees,
including children, who have been detained for 6 years and indefinitely
by the Australian Government. Refugees and people seeking asylum who
tried to reach Australia by boat on or after the 19th of July 2013 were
deported by the Australian government to camps on Nauru and Manus
Islands (3-4.500km away from Australia). Currently, 12 people have died
and mental health has reached alarming and catastrophic levels on both
prison-islands.

This networked performance commemorates 6 years to the day of the
“indefinite detention” of people who attempted to arrive by boat to
Australia since the 19th of July 2013 and have been sent into “offshore
processing centres” on Nauru and Manus islands.

By reading this document we hope to urge the Australian politicians to:
- Close the camps
- Bring people to Australia to be processed fairly and swiftly
- Speak to and about refugees and people seeking asylum with respect and
humanity, respecting the Rule of Law, the International Human Rights
Chart, the 1951 International Refugee Convention & 1967 Protocol. 

This networked performance builds on previous Reading the Nauru Files
networked performances, which were:
– A 24h networked performance live on Facebook with 50 people from
around the world on the 19 July 2018 commemorating 5 years of
"indefinite detention"
https://www.facebook.com/events/281177502625005 and
http://suzonfuks.net/reading-nauru-files-2018

– An 18h networked performance live on Facebook by James Cunningham and
Suzon Fuks on 19 July 2017 commemorating 4 years of “indefinite detention”
http://suzonfuks.net/reading-nauru-files-2017

======================================
The Nauru Files were first published publicly by the Guardian and are
available online https://www.theguardian.com/news/series/nauru-files 
======================================

During the event, we will be using the hashtags
#NauruFilesLive as well as 
#6YearsTooMany #CloseTheCamps #LetThemGo
 

*START DATES IN SOME TIME ZONES ON THE 19th OF JULY:*

- Nauru Time, NRT (UTC + 12) - Fri, 19 Jul 2019 @ 09:00

- Brisbane, Australia AEST (UTC + 10) - Fri, 19 Jul 2019 @ 07:00

- Moscow, Russia MSK (UTC +3) - Fri, 19 Jul 2019 @ 00:00

- Tokyo, Japan JST (UTC + 9) - Fri, 19 Jul 2019 @ 06:00

- Beijing, China CST (UTC + 8) - Fri, 19 Jul 2019 @ 05:00


*START DATES IN SOME TIME ZONES ON THE 18th OF JULY:*

- Los Angeles, USA PDT (UTC – 7) - Thur, 18 Jul 2019 @ 14:00

- Coordinated Universal Time (UTC) - Thur, 18 Jul 2019 @ 21:00

- New York, USA EDT (UTC - 4) - Thur, 18 Jul 2019 @ 17:00

- London, UK BST (UTC + 1) - Thur, 18 Jul 2019 @ 22:00

- Paris, France CEST (UTC +2) - Thur, 18 Jul 2019 @ 23:00


========================================================

READERS' NAMES: Alice Owen, Alisi Liva-liva, Alison Cornyn, Alison
Jeffers, Alister Lownie, Amaranta Osorio, Anna Fairley, Anthea
Falkenberg, Beth Weinstein, Billy Shannon, blackrose flower, Brian
Cavanagh, camilla boemio, Carol Humber, Charlotte Parallel, Cherry
Truluck, Claire Oconnor, constanza, Daniel Pinheiro, Dulce Munoz, Ed
Mortimer, Elisabeth Lebailly, Erin Beatson, Frederika Tsai, Greg
Giannis, Helen Varley Jamieson, isabelle arvers, James Cunnigham,
Janaina Matter, Jazmin Ochoa, Julie Chenery, Julie Vulcan, Kaylah Amiga,
Kara Beavis, Karenza Ebejer, Katarina Djordjevic Urosevic, Kathleen
Janne Tuimaseve and students: Tristan, Raven, Liam, Nick, Eli, Paige,
Tahlia and Brooke (Noosa Christian College, yr 11), Leah Shelton, Lena
John Gomez, Lisa Kelly, Lyn Cunningham, Molly Hankwitz, Nasim Khosravi,
Ola Johansson, Pali Singh, Patrick Lichty, Rita Marcalo, robin
taubenfeld, Sandra Muller, Scotia Monkivitch, Sonja van Kerkhoff,
Stephanie Dick, Susan Reid, Suzon Fuks, Therese Collie, Thida Mwin,
Tracey M Benson, Trudy Hairs, Victoria Bansey, William Fisher and Zoe
Sharman
-- 

helen varley jamieson

he...@cr... <mailto:he...@cr...>
http://www.creative-catalyst.com
http://www.upstage.org.nz

[Cyposium] Letters to the Earth - screen recording

[Helen V. J. <he...@cr...>]

hi everyone,

our performance as part of Letters to the Earth
(http://www.letterstotheearth.com/) on friday 12 april went really well;
thanks to everyone who participated both in giving the
readings/cyberformance & also the audience. it was a lot of fun, & also
for me a great reminder of just how much potential UpStage has for this
kind of event.

if you're interested to see it, there is a screen recording here:
https://vimeo.com/332239263

h : )

-- 

helen varley jamieson

he...@cr... <mailto:he...@cr...>
http://www.creative-catalyst.com
http://www.upstage.org.nz

[Cyposium] Online Performance: "Letters to the Earth", Friday 12 April 21:00 CET, UpStage

[Helen V. J. <he...@cr...>]

A Cultural Response to the Climate and Ecological Emergency

Join us online on the 12th of April in this global live reading of
letters from humans to the Earth, coinciding with the Global Youth
Strike for Climate and as part of the lead up to Extinction Rebellion’s
International Rebellion.

When: Friday 12 April, 9pm - 11pm CET. Find your local time here
<https://www.worldtimeserver.com/convert_time_in_DE.aspx?y=2019&mo=4&d=12&h=21&mn=0>.

Where: There will be a link to the live stage here
<https://upstage.org.nz/?event=letters-to-the-earth>, shortly before the
performance begins.

We are facing an unprecedented global emergency, the planet is in crisis
and we are in the midst of a mass extinction event. Scientists believe
we have entered a period of abrupt climate breakdown. Carbon emissions
and temperatures keep rising; ecological collapse has begun. On this
course we are likely to see abrupt and irreversible devastation. The
time for denial is over – we know the truth about climate change. It is
time to act.

Letters to the Earth <https://www.letterstotheearth.com/> is a joint day
of action on Friday 12 April 2019: letters written by people from around
the world will be read out at theatres, arts venues, community spaces
around the UK, and online in UpStage. The pieces will then be made
rights free and available for anyone to download and present anywhere in
the world from 15th – 28th April, coinciding with the International
Extinction Rebellion <https://rebellion.earth/> and School Strike For
Climate. These pieces could be taken up to be presented and performed
globally, when hundreds of thousands of people will be taking to the
streets worldwide to demand that governments tell the truth about
climate collapse and act accordingly.

The readings in UpStage will be performed by Clara Gomes, Miljana Perić,
Katarina Djordjević Urosević, Lyn Cunningham, Suzon Fuks and Helen
Varley Jamieson.

Please remember: UpStage does not work on tablets or smartphones as it
requires Flash to deliver everything to the browser. We are working on a
new platform that doesn’t require Flash, but it takes time and money!
(If you can help us, please donate to UpStage
<https://upstage.org.nz/?page_id=278>.)

-- 

helen varley jamieson

he...@cr... <mailto:he...@cr...>
http://www.creative-catalyst.com
http://www.upstage.org.nz

[Cyposium] letters to the earth

[Helen V. J. <he...@cr...>]

hi everyone,

on 12th April we will join this cultural response to the climate
emergency with readings in UpStage of letters that people have written
to the earth: https://upstage.org.nz/?event=letters-to-the-earth

we'll do it in the european evening, around 8 or 9pm CET, for an hour or
two. so far it's me, miljana perić, clara gomes & katarina djordjević
urosević. if you'd like to take part in the readings, email me for a log
in & further information. otherwise keep an eye out for more details &
link to the stage closer to the day.

h : )

-- 

helen varley jamieson

he...@cr... <mailto:he...@cr...>
http://www.creative-catalyst.com
http://www.upstage.org.nz

[Cyposium] good news - videos are all there :)

[Helen V. J. <he...@cr...>]

good news, suzon solved the video issue. the recordings are all on the
Waterwheel vimeo account, & a while back when this account changed from
plus to basic, somehow settings got changed to private. now they are
public again - thanks suzon! :)

so many things to keep track of! but it's worth it with this material.

h : )

-- 

helen varley jamieson

he...@cr... <mailto:he...@cr...>
http://www.creative-catalyst.com
http://www.upstage.org.nz

Re: [Cyposium] CyPosium website back on line ...

[Helen V. J. <he...@cr...>]

thanks annie. the problem is - i don't know who uploaded the videos to
vimeo; it wasn't me, & the 2 vimeo accounts i have (UpStage & magdalena)
don't reveal any private CyPosium videos.

someone out there must have uploaded them but i can't remember ... ???

by the way, all of the website users have also been reinstated on the
new site, so if you were able to edit the old site you can also log in &
edit the new one. there are user accounts for annie, francesco, vicki,
martin, james, suzon & natalie. if you've forgotten your password you
just need to go to https://www.cyposium.net/wp-admin, click on forgot my
password & enter your email address to get a reset link emailed to you.
then you can update your own information.

i have just checked & fixed or removed the broken links - - pleasantly
surprising to find that there were very few :)

h : )

On 26.02.19 16:14, Annie Abrahams wrote:
> Super Helen,
> Great job.
> Hi all,
> The website seems to be in good condition (didn't check it all, so
> please others test too).
> For vimeo, I don't know. Do you remember who put them online? Who has
> the vimeo access codes? I think that person should have a look.
> Normally, even if you are over their lately installed free upload
> limit, they don't do anything with your videos - (at least they didn't
> do with mine - I just can't upload anything new anymore), but to be
> honest I don't remember if I had to do something at the time (maybe
> agree to new policy) - who can do something? who has the codes?
>
> Thanks for taking care Helen!
> xxx to all
> Annie
>
>
> On Tue, Feb 26, 2019 at 1:17 PM Helen Varley Jamieson
> <he...@cr... <mailto:he...@cr...>> wrote:
>
>     hi everyone,
>
>     i'm not sure if this email list is still functioning, but i'll
>     give it a go ...
>
>     you probably did not notice, but for the CyPosium web site has
>     been offline for a while. this is because it was hosted for free
>     on a server of martin's, which he had to shut down due to security
>     issues & the machine being too old to keep running. i have now
>     moved the site and domain name to hosting with the wonderful
>     mur.at <http://mur.at> in graz - very nice people, artists
>     themselves, who provide affordable hosting for artists & our projects.
>
>     the site is now live again at https://www.cyposium.net/ and i need
>     your help to check that everything is there & functioning as it
>     should be. there are probably some plugins missing & maybe other
>     things that have slipped up in the transfer.
>
>     one thing i have noticed is that all of the presentation
>     recordings, which are hosted on vimeo, have become "private".
>     maybe vimeo has changed something in its T&Cs - e.g. a limit to
>     how much we can have there which we've exceeded? or to how long
>     videos can be public?? is anyone up to date with vimeo at the
>     moment? i would love your help with this :)
>
>     anyway the main thing is that the site is now live again. when i
>     think back to this project, we really did something amazing and it
>     should stay accessible as an important event in the history of
>     cyberformance :)
>
>     hope you are all well & doing interesting things out there in
>     cyberspace,
>
>     h : )
>
>     -- 
>
>     helen varley jamieson
>
>     he...@cr... <mailto:he...@cr...>
>     http://www.creative-catalyst.com
>     http://www.upstage.org.nz
>
>     _______________________________________________
>     UpStage-cyposium mailing list
>     UpS...@li...
>     <mailto:UpS...@li...>
>     https://lists.sourceforge.net/lists/listinfo/upstage-cyposium
>
>
>
> -- 
>
>
> Documentation of Performing Secret Alchorithms
> <http://bram.org/interface/PP> - with Marika Dermineur during
> *Alchorisma* Hasselt.
>
> Distant Movements
> <https://aabrahams.wordpress.com/2018/10/22/distant-movements-2/>*Dance
> and Networked Performance* with Daniel Pinheiro and Muriel Piqué.
>
> Constallations <http://constallations.xyz>, *3G(enerations)* with Alix
> Desaubliaux, Pascale Barret and Annie Abrahams. Supported by Oudeis. A
> conversation in the form of 3 x 3 sessions of brainwish/storm/wash.
> Mostly in French.
>
> Distant Feeling(s)#5 <http://bram.org/distantF/> Online webcam
> meetings trying to experience each other’s presence eyes closed and no
> talking. An ever-changing re-enactment of our entanglement with machines.
>
-- 

helen varley jamieson

he...@cr... <mailto:he...@cr...>
http://www.creative-catalyst.com
http://www.upstage.org.nz

Re: [Cyposium] CyPosium website back on line ...

[Annie A. <bra...@gm...>]

Super Helen,
Great job.
Hi all,
The website seems to be in good condition (didn't check it all, so please
others test too).
For vimeo, I don't know. Do you remember who put them online? Who has the
vimeo access codes? I think that person should have a look. Normally, even
if you are over their lately installed free upload limit, they don't do
anything with your videos - (at least they didn't do with mine - I just
can't upload anything new anymore), but to be honest I don't remember if I
had to do something at the time (maybe agree to new policy) - who can do
something? who has the codes?

Thanks for taking care Helen!
xxx to all
Annie


On Tue, Feb 26, 2019 at 1:17 PM Helen Varley Jamieson <
he...@cr...> wrote:

> hi everyone,
>
> i'm not sure if this email list is still functioning, but i'll give it a
> go ...
>
> you probably did not notice, but for the CyPosium web site has been
> offline for a while. this is because it was hosted for free on a server of
> martin's, which he had to shut down due to security issues & the machine
> being too old to keep running. i have now moved the site and domain name to
> hosting with the wonderful mur.at in graz - very nice people, artists
> themselves, who provide affordable hosting for artists & our projects.
>
> the site is now live again at https://www.cyposium.net/ and i need your
> help to check that everything is there & functioning as it should be. there
> are probably some plugins missing & maybe other things that have slipped up
> in the transfer.
>
> one thing i have noticed is that all of the presentation recordings, which
> are hosted on vimeo, have become "private". maybe vimeo has changed
> something in its T&Cs - e.g. a limit to how much we can have there which
> we've exceeded? or to how long videos can be public?? is anyone up to date
> with vimeo at the moment? i would love your help with this :)
>
> anyway the main thing is that the site is now live again. when i think
> back to this project, we really did something amazing and it should stay
> accessible as an important event in the history of cyberformance :)
>
> hope you are all well & doing interesting things out there in cyberspace,
>
> h : )
> --
>
> helen varley jamieson
>
> he...@cr...
> http://www.creative-catalyst.com
> http://www.upstage.org.nz
> _______________________________________________
> UpStage-cyposium mailing list
> UpS...@li...
> https://lists.sourceforge.net/lists/listinfo/upstage-cyposium
>


-- 


Documentation of Performing Secret Alchorithms
<http://bram.org/interface/PP> - with Marika Dermineur during *Alchorisma*
Hasselt.

Distant Movements
<https://aabrahams.wordpress.com/2018/10/22/distant-movements-2/>* Dance
and Networked Performance* with Daniel Pinheiro and Muriel Piqué.

Constallations <http://constallations.xyz>, *3G(enerations)* with Alix
Desaubliaux, Pascale Barret and Annie Abrahams. Supported by Oudeis. A
conversation in the form of 3 x 3 sessions of brainwish/storm/wash. Mostly
in French.

Distant Feeling(s)#5 <http://bram.org/distantF/> Online webcam meetings
trying to experience each other’s presence eyes closed and no talking. An
ever-changing re-enactment of our entanglement with machines.

[Cyposium] CyPosium website back on line ...

[Helen V. J. <he...@cr...>]

hi everyone,

i'm not sure if this email list is still functioning, but i'll give it a
go ...

you probably did not notice, but for the CyPosium web site has been
offline for a while. this is because it was hosted for free on a server
of martin's, which he had to shut down due to security issues & the
machine being too old to keep running. i have now moved the site and
domain name to hosting with the wonderful mur.at in graz - very nice
people, artists themselves, who provide affordable hosting for artists &
our projects.

the site is now live again at https://www.cyposium.net/ and i need your
help to check that everything is there & functioning as it should be.
there are probably some plugins missing & maybe other things that have
slipped up in the transfer.

one thing i have noticed is that all of the presentation recordings,
which are hosted on vimeo, have become "private". maybe vimeo has
changed something in its T&Cs - e.g. a limit to how much we can have
there which we've exceeded? or to how long videos can be public?? is
anyone up to date with vimeo at the moment? i would love your help with
this :)

anyway the main thing is that the site is now live again. when i think
back to this project, we really did something amazing and it should stay
accessible as an important event in the history of cyberformance :)

hope you are all well & doing interesting things out there in cyberspace,

h : )

-- 

helen varley jamieson

he...@cr... <mailto:he...@cr...>
http://www.creative-catalyst.com
http://www.upstage.org.nz

[Cyposium] ReadingClub shortlisted for H3K netbased award

[helen v. j. <he...@cr...>]

hi cyberformance peoples,

annie abrahams project ReadingClub has been shortlisted for the H3K
netbased award. many of you have seen it and/or participated in this
great project.

please vote for it
herehttp://www.hek.ch/en/projects/net-based-award-2018.html
<http://www.hek.ch/en/projects/net-based-award-2018.html>

h : )

[Cyposium] Fwd: IJPADM CfP: Performance and VR Practice

[helen v. j. <he...@cr...>]

presumbaly the deadline for this should be 31 january 2018, not 2017 :)

-------- Forwarded Message --------
Subject: 	IJPADM CfP: Performance and VR Practice
Date: 	Mon, 4 Dec 2017 10:12:57 +0000
From: 	Chatzichristodoulou, Maria <chatzicm@LSBU.AC.UK>
Reply-To: 	cybertheatres - networked & technological performance
<CYBERTHEATRES@JISCMAIL.AC.UK>
To: 	CYBERTHEATRES@JISCMAIL.AC.UK



/International Journal of Performance Arts and Digital Media/

http://www.tandfonline.com/toc/rpdm20/current

 
*Special Issue Call for Papers: 
**Performance and VR Practice; New Work for New Environments*    
 
Guest editors: Sophy Smith and Kerry Francksen
 
*DEADLINE: 31st January 2017*
Full manuscripts should be submitted
online: http://www.edmgr.com/rpdm/default.aspx
Publication: Autumn 2018 in Volume 14, Issue 2
 
The /International Journal of Performance Arts and Digital Media/ is
seeking contributions for a special issue on Performance and VR Practice. 

Virtual Reality technologies have a long and established history. As
Oliver Grau recognizes in his seminal text Virtual Art: From Illusion to
Immersion (2003), “the idea of installing an observer in a hermetically
closed-off image space of illusion did not make its first appearance
with the technical invention of computerised virtual realities. On the
contrary, VR forms part of the core of the relationship of humans
to images” (Grau, 2003: 4-5). Such is our fascination with
creating “illusionary spaces” (ibid.), it is understandable that artists
and technologist have spent the last few decades exploring how
technologies, such as VR, can enable us to extend beyond our own reality
towards immersive and illusionary theatrical experiences. Since the
1980’s, when VR was first used in a performative context, beyond its
application in industry, artists and scholars have continued to
challenge notions of what is ‘real’ and what is ‘virtual’; they have
challenged concepts of transcendence, simulation, immersion,
materiality, alternate realities, hybrid or mixed realities to name but
a few. The use of VR has therefore been important for opening up
perspectives and for developing new performance paradigms. Yet, whilst
the use of VR over the last three decades has been focused and rigorous,
it has not been as widely adopted as other technological tools (such as
gesture/motion-sensing systems or live video and projection mapping
systems) have been. This is largely due to practical concerns and the
availability of such a complex technology. However, over the last few
years, VR technologies have made a reemergence, not only in terms of
affordability, but because the continued advances in design and
usability are making it increasingly possible for artists to access and
explore its potential.

 

In 2017, Sony released the Play Station VR headset, enabling high
quality VR technologies to be accessed at home. Google cardboard and
other VR -goggles enable users to access VR content through their
smartphone and 360 streaming is available on Youtube. In response to
this, a greater number of performance practitioners have begun to
explore how such VR technologies can be used. For instance, 2017 has a
seen the premier of a number of new examples of VR performance work,
some made by independent artists and others by established organisations
including AoE’s Whist, Boleslavsky? and Júdoká’s Dust (supported by
Rambert/V&A), Makropol & Bombina’s The Shared Individual and a new VR
film by the English National Ballet, inspired by Akram Khan’s Giselle.
As its use continues to increase, this special issue wishes to examine
how, and in what ways, VR is continuing to have an impact on current
performance works. For example, some artists are using VR technologies
to reimagine existing performance work, others to offer new perspectives
on performance making, and others who are exploring new relationships
with their audiences.

 

This raises a number of interesting and timely questions relating to the
impact and influence of VR technologies on creative processes and the
nature of the work made - In what ways are current VR technologies
helping artists to re-imagine their practice? What new work is being
created and is this having an impact on professional performance
practice? In what ways have current VR technologies and practices
extended concepts such as, transcendence, simulation, immersion,
materiality, alternate realities etc? How might the use of VR
technologies open up new models and/or possibilities for collaboration
between artists and technologists? What new performance environments are
being created within VR and how might this change how audiences access
and engage with professional performance? How can VR enable audiences to
engage with performance work in new ways, both collectively and
individually? What can VR offer professional performance practice that a
traditional ‘live’ experience cannot? What can we learn from emerging VR
practice across other sectors to inform and extend professional
performance practice as a whole? 

 

We invite full essays of between 5,000 and 8,000 words or artistic
position papers of between 2,000 and 3,000 words.  We would particularly
welcome practice-as-research contributions that experiment with content
and form, while maintaining a rigorous enquiry into their disciplinary
frameworks. Contributions might consider (but are not limited to) the
following topics:

 

•  New paradigms of performance offered by VR

• Live 360 streaming

• Choreographing/directing for VR

• VR and the collective experience of performance

• Role of the audience/participant in VR performance

• Participant experience

• Notions of performance

• Constructions of narrative

• Ethics of VR Performance

• VR and theatre design

 
Essays should be formatted according to the Routledge journal style.

Please contact Sophy Smith at <ssm...@dm...
<mailto:ssm...@dm...>> and/or Kerry Francksen at
<ker...@ho... <mailto:ker...@ho...>> if you have any
queries.* * 

/Guest Editors: Prof. Sophy Smith and Dr Kerry Francksen, Directors of
DAPPER (Digital Arts Performance Practice - Emerging Research), De
Montfort University. DAPPER is a space where people working in all areas
of digital performance can come together – practitioners, technologists,
academics, organisations and all those in-between – to capture, share,
discuss, experiment and develop work and ideas relating to digital art
and performance. It is our contention that whilst many individuals work
within their own specialist area or sector, innovation occurs when we
have the opportunity to collaborate and cooperate with others. Digital
art performance practices are emerging as a response to a fast moving
technological landscape and as artists adapt to these new paradigms it
is clear that digital practices are having a profound effect on the ways
in which we make and understand our work. DAPPER aims to provide a space
to focus on and interrogate the range of inter/transdisciplinary
approaches specifically from the perspective of artistic process and
practice. DAPPER runs Knowledge Exchange and Professional Practice
events. In 2017-8 these have included practice-based digital performance
residencies at Waterman’s Arts Centre as part of Digital Weekender and
De Montfort University, offering spaces for experimentation and dialogue
for professional practitioners in open creative space, and 2
cross-sector development events, exploring the practices of narrative
development in virtual environments and sharing of current practices./

/
/

Apologies for cross-posting


--

*Dr Maria Chatzichristodoulou*

Reader in Performance & New Media

Head of Division, Creative Industries

Director, External Development & Enterprise

Editor-in-Chief, International Journal of Performance Arts & Digital
Media (IJPADM) <http://www.tandfonline.com/toc/rpdm20/current>


School of Arts and Creative Industries, 

London South Bank University

BR460, 103 Borough Road, London SE1 0AA

T: +44 (0)20 7815 5478, E: m.c...@ls...

 

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action to notify the sender and delete the original email and all copies
from your computer systems; (2) You should not read copy or use the
contents of the email nor disclose it or its existence to anyone else.
The views expressed herein are those of the author(s) and should not be
taken as those of London South Bank University, unless this is
specifically stated. London South Bank University is a company limited
by guarantee registered in England and Wales. The following details
apply to London South Bank University: Company number - 00986761;
Registered office and trading address - 103 Borough Road London SE1 0AA;
VAT number - 778 1116 17 Email address - LSB...@ls...

[Cyposium] this week-end, jump in!

[suzon f. <su...@ig...>]

Dear cyberformance people,
 

Please jump in #WaterWorks this weekend, commenting and asking questions
in the public forum (7 sessions x 2h/each)
with artists, scientists and activists from around the world
curated by 22 amazing personalities from 19 countries


GUIDELINES: http://eepurl.com/bUDbG5
PROGRAMME: http://bit.ly/WATERworks-programme

Cheers



Suzon

WATERWHEEL, Make & Share about Water http://water-wheel.net
3/27 Waverley St, Annerley, QLD 4103, Australia
it takes 12,000 litres to make 500 grams of chocolate!

[Cyposium] 18-20 March, programme of Water Works! online event

[suzon f. <su...@ig...>]

Dear cyberformance people,
 

the Waterwheel team is proud to announce and invite you
to partake in our exciting final large online event: WATER WORKS!

Friday 18 March to Sunday 20 March
NOTE: date & time vary according to your timezone!

22 curators from 19 countries (see list below) will discuss selected
entries and respond to online audience, in a streaming event on Waterwheel.

250+ entries, 150+ scientists, artists, activists and youth from 5
Continents contributed to the call for the online exhibition: WATER WORKS!
They responded to the questions:
- how WATER WORKS despite climate change, financial crises, war, and
global environmental damage
- how art, science, design, and activism can reinstate the social,
cultural and environmental value of water
- how we can give recognition to the indispensable and invaluable ways
that water works
A fantastic group of 22 curators from 19 countries will discuss selected
entries and respond to online audience, in a streaming event on the
Waterwheel video-collaboration system, the Tap.


Looking forward to your presence



Waterwheel team: Suzon Fuks, Inkahoots & Igneous

+++++++++++++++++++++++++++++++
MORE INFO
+++++++++++++++++++++++++++++++

This event can be described as
- a live forum between audience, curators & contributors, interspersed
with short performances & videos
- a celebratory event of World Water Day and the closing of the internet
platform Waterwheel, after 5 years of successful activities and the
building up of a dynamic global community

***Special guest*** world-famous classical Indian singer Mahesh Vinayakram
will sing for the opening and closing of the event.
***An additional special workshop*** DIY Audio Streaming will be held on
Waterwheel by SoundCamp streaming technician Grant Smith, on Sunday 20
March 9-11 am (UK time).


CURATORS: Amin Hammami (TN/SA), Annie Abrahams (NL/FR), Atefeh Khas (IR),
Camilla Boemio (IT), Catherine Lee (TW), Claudia Jacques (US), Eklavya
Prasad (IN), Eric Leonardson (US), Ian Clothier (NZ), Jason Grant (AU),
Joanna Hoffmann (P), Katarina Djordjevic Urosevic (RS), Leah Barclay
(AU/PE), Lila Moore (IL), Margaret Shiu (TW), Michele Guieu (US), Pascale
Barret (B), Ricardo Dal Farra (AR/CA), Russell Milledge (AU), Tracey
Benson (AU), Victoria Vesna (US), and West D.L. Marrin (US).


Audience is invited to watch and interact from their own computers
anywhere in the world, free of charge!

ADDRESS OF THE EVENT: http://water-wheel.net/taps-list
PROGRAMME: http://bit.ly/WATERworks-programme
MEDIA RELEASE: http://bit.ly/WATERworks-MEDIA-release (pdf)
SOCIAL: Twitter: @the_waterwheel #WaterWorks



+++++++++++++++++++++++++++++++
WATERWHEEL, MAKE AND SHARE ABOUT WATER
a collaborative online venue for streaming, mixing and sharing media &
ideas about water
a free platform for the awareness, celebration, care & accessibility of
water everywhere
Waterwheel was initiated by Suzon Fuks and co-founded with Inkahoots and
Igneous

Contact: su...@wa... | skype suzonfuks | +61439929028
3/27 Waverley St, Annerley, QLD 4103, Australia

[Cyposium] Reminder - 28 February

[suzon f. <su...@ig...>]

Good Day!
I will be grateful if you can pass this word around and if you can also
attend some of the curators panels about WATER WORKS!


28 February 2016 is the deadline for submissions
19/20 March (depending on your timezone): be part of the discussion and
presentation of the WATER WORKS! online exhibition.
PLEASE SAVE THE DATE :-)

WATER WORKS! celebrates those that work for water, the work water does,
and the works it creates.
We are looking for strong works relevant to the theme of the final big
event on Waterwheel: WATER WORKS!
Contribute, come to the online exhibition, join the discussion. Everyone
and all ages are welcome.

HOW TO PROCEED: http://r.water-wheel.net/water-works.pdf
COMMENT PROCEDER : http://r.water-wheel.net/eau-travaille.pdf
CÓMO PROCEDER: http://r.water-wheel.net/obras-del-agua.pdf


- - - - - - - - - - - - - - - - - - - - - - - - - -
An online workshop about DIY Live Audio Streaming will be hosted on
Waterwheel during Water Works! 19/20 March, led by SoundCamp streaming
technician Grant Smith. Info http://bit.ly/1WshMaq ­ Please register your
attendance asap.
- - - - - - - - - - - - - - - - - - - - - - - - - -



Cheers


Suzon
WATERWHEEL, Make & Share about Water
http://water-wheel.net

Skype: suzonfuks | mob: +61-439 929 028 | Tel:+61-7-3255 8355 | 3/27
Waverley St - Annerley QLD 4103 - Australia

[Cyposium] happy 2016 - Water Works!

[suzon f. <su...@ig...>]

Dear cyberformance people,
 

may this year bring you joy and fulfilment in your life and work! :-)
I'd like to let you know that, after five years of committed
development, the Waterwheel team and I have decided to step out of the
project. The custodianship might be taken over by other people. Qui vivra
verra! We'll see! :-)

In the meantime, we will celebrate World Water Day in a big way, with an
online exhibition curated and presented by fabulous people during a
special streaming event on 19/20 March.
See call below or 
English http://bit.ly/waterWORKS-CALL
Français http://bit.ly/eauTRAVAILLE-APPEL
Español http://bit.ly/aguaOBRAS-CONVOCATORIA


28 Feb: deadline for uploading media & proposition for performances.

I hope you will consider contributing & inviting others.
Best wishes & looking forward to hearing from you



Suzon

WATERWHEEL, Make & Share about Water  http://water-wheel.net
3/27 Waverley St, Annerley, QLD 4103, Australia
it takes 3 litres of water to make 1 sheet of A4 paper & 12,000 litres to
make 500 grams of chocolate!









~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
"WATER WORKS! " CALL TO DISTRIBUTE
 ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Are your projects or artworks linked to water? Have you always wanted to
do something on Waterwheel but never had time? This is the moment.
Celebrate this final large event organised by the current Waterwheel team
of Suzon Fuks, Inkahoots, and Igneous.

Artists, scientists, activists, teachers and young people are invited to
celebrate World Water Day 2016 by contributing to an online exhibition
with short digital media (including performances, poems or texts) on the
theme of "WATER WORKS!" Deadline: 28 February 2016.

Following a quick turn around and selection process, a fantastic group of
curators will discuss contributions, and respond to online audience, in a
streaming event on the Waterwheel video-collaboration system, the Tap, on
19/20 March 2016.

Accepted formats are video (mp4), images (jpeg, png), animation (swf),
audio (mp3), text (doc, txt, xls, pdf) or slideshows (pdf). Curators, Tap
link and time will be announced closer to the date in the Waterwheel
newsletter, blog, twitter and Facebook group. Find links to all at
http://water-wheel.net

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
WATER WORKS!
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Think of the myriad jobs that are overlooked when you turn on the tap, no
matter where you live, in the city or a rural area: from digging wells, to
drawing, fetching, purifying, and distributing water, to studying its
ecosystems, analysing its composition, to its use in washing, the
production of our food, the management of sewage and waste, the caring for
equitable access to water, the ensuring of environmental health and
sustainability, paying homage to and highlighting water¹s qualities or
conditionsŠ

Climate change, financial crises, war, and global environmental damage,
have all put pressures on water forcing it to ³work² as commodity, capital
and resource for growing and shifting human populations. While non-human
species and natural processes such as coral reefs, wetlands and beavers
"work" in the maintenance and transformation of water, there are also the
"works" created by the passing actions of floods, tides and storms.

How can art, science, design, and activism reinstate the social, cultural
and environmental value of water? How can we give recognition to the
indispensable and invaluable ways that water works?

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
HOW TO PROCEED
- prepare your media
- register / log in at http://water-wheel.net
- go to Media Centre
- upload file(s)
IMPORTANT: while 'processing', please complete: title, keywords, and short
description (once that's done, please leave the window open)
- SAVE when upload is finished
That's all! easy! :-)

NOTE: if you need to change info details or upload a new version of the
file, once logged in you go to Media Centre > My Media > click on the
little pencil at bottom right (next to the cross), and you can edit. At
the end, SAVE!
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Re: [Cyposium] CyPosium website

[vicki s. <dig...@cl...>]

Thanks helen and martin!!

> On 2/12/2015, at 4:46, helen varley jamieson <he...@cr...> wrote:
> 
> hi everyone,
> martin just let me know that our CyPosium website is getting constantly attacked, so he has added an extra layer of authentication. i don't know if any of you actually need edit access to the site at the moment, but if you do please just ask me & i'll give you the additional username & password.
> 
> hope you're all well,
> h : )
> -- 
> helen varley jamieson
> he...@cr...
> http://www.creative-catalyst.com
> http://www.upstage.org.nz
>  
> 
> Unaussprechnbarlich, München, November-Dezember 2015
> 
> ------------------------------------------------------------------------------
> Go from Idea to Many App Stores Faster with Intel(R) XDK
> Give your users amazing mobile app experiences with Intel(R) XDK.
> Use one codebase in this all-in-one HTML5 development environment.
> Design, debug & build mobile apps & 2D/3D high-impact games for multiple OSs.
> http://pubads.g.doubleclick.net/gampad/clk?id=254741911&iu=/4140
> _______________________________________________
> UpStage-cyposium mailing list
> UpS...@li...
> https://lists.sourceforge.net/lists/listinfo/upstage-cyposium

[Cyposium] CyPosium website

[helen v. j. <he...@cr...>]

hi everyone,
martin just let me know that our CyPosium website is getting constantly
attacked, so he has added an extra layer of authentication. i don't know
if any of you actually need edit access to the site at the moment, but
if you do please just ask me & i'll give you the additional username &
password.

hope you're all well,
h : )
-- 
helen varley jamieson
he...@cr... <mailto:he...@cr...>
http://www.creative-catalyst.com
http://www.upstage.org.nz

 

/Unaussprechnbarlich/, München, November-Dezember 2015
<http://unaussprechbarlich.tumblr.com/>

[Cyposium] 3 online performances - Fluidata: Waterways, Walks & Wi-Fi

[suzon f. <su...@ig...>]

Dear Cyposium list members,

 

This week Thursday, Friday and Saturday 18,19 & 20 June
7-9pm in Brisbane (11-13h CET & 5-7am EDT)
you are most welcome to assist in and partake in Fluidata online
performances:

Watch from your computer http://water-wheel.net/taps/view/794 and find
your local time from the same link.
The audience can interact via a chatwindow.

I hope to welcome you online for the performances


Cheers  


Suzon

*************************************
FLUIDATA - Performances
*************************************

Suzon Fuks & James Cunningham travelled 7500 km through Queensland
exploring creeks from tropical Cairns,through the mining towns and dusty
trails of the vast outback, collecting data and exploring physical &
digital connections to our environment.
The pair has returned to Brisbane to present an interactive art
installation called FLUIDATA, teaming up with Inkahoots and Matthew Davis.


Installation with durational performances 18,19 & 20 June
The Block, QUT Creative Industries Precinct, Kelvin Grove (Brisbane)
FREE ADMISSION
and ONLINE PERFORMANCES 18, 19 & 20 June
http://water-wheel.net/taps/view/794
*************************************


If you have a creek memory to share, please tweet it with #creekmemory :)
#creekmemory #fluidata #waterwheel

*************************************
MORE INFO: igneous.org.au/projects/fluidata
*************************************

[Cyposium] I need help / video screenrecording for three performances

[Annie A. <bra...@gm...>]

Hi cyberformers ...

On the 11th, 12th and 13th of June at 19h I will be doing three online
performances with Martina Ruhsam. It's for turbulence.org and needs to be
archived, recorded.
So I am looking for some one responsible to screenrecord the events. I was
thinking of the cyposium organisers, because some of you have experience .
I can pay a small amounth of money for it. (100 euros)

The performances will be on the 11th, 12th and 13th of June at 19h. CET
11th duration 20 minutes
12th duration undetermined -- might be 15 min, but could be 90 minutes
13th duration 3 min

I would need a recording of the two webcamstreams in 1280 X 720, the
chatwindow *not *included.

I hope someone of you can help me.
Thanks a lot for your attention.

All the best
Annie

-- 

*besides,*
three online performances with Martina Ruhsam
11, 12 and 13th of June, 19h CET - 1pm EDT
Turbulence commission with funds from the National Endowment for the Arts.
http://turbulence.org/commissions/besides/

[Cyposium] Waterways, Walks & Wi-Fi - Invitation

[suzon f. <su...@ig...>]

Dear Cyposium list members,

 

I would like to share this info about the new work I have been co-creating
& experiencing for more than a year :-)
There is an online element which you can watch/participate in.

Looking forward to seeing you there, online or on site


 
Cheers  Suzon


 
 
*************************************
FLUIDATA - Installation & Performance
*************************************

 
 
James Cunningham & Suzon Fuks travelled 7500 km through Queensland
exploring creeks from tropical Cairns,through the mining towns and dusty
trails of the vast outback, collecting data and exploring physical &
digital connections to our environment.
The pair has returned to Brisbane to present an interactive art
installation called FLUIDATA, teaming up with Inkahoots and Matthew Davis.
 
 


Opening June 13th, 6pm. Exhibition runs June 13-20.
Live performances on 13, 19 & 20 June at 7pm
The Block, QUT Creative Industries Precinct, Kelvin Grove (Brisbane)
FREE ADMISSION
 
 


*************************************
ONLINE PERFORMANCES: 13,19 & 20 June
Watch live on your computer http://water-wheel.net/taps/view/794
If not on East Coast Australia, check your local time here:
http://bit.ly/1Rc4IW0
*************************************
 
 


#creekmemory #fluidata #waterwheel
If you have a creek memory to share, please tweet it with #creekmemory :)
 
 


*************************************
MORE INFO: igneous.org.au/projects/fluidata
*************************************

[Cyposium] e-book & conference launch online, on 21-22 March

[suzon f. <su...@ig...>]

Dear Cyposium list members,


I am happy to invite you on 21-22 March
online at http://water-wheel.net/taps/view/792
To:
­ Launch of e-book 'Water Views: Caring and Daring' with editorial team
and guest authors
­ Meditation for water with renowned guest singer from Chennai, India
­ Balance-Unbalance Conference launch with its founder Ricardo Dal Farra,
film screening & performances

SESSION 1 ­ your time: http://bit.ly/e-book_launch1
SESSION 2 ­ your time: http://bit.ly/launch2_with-meditation-preceeding

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
E-book is available for free download in its entirety and by individual
chapters. INFO BELOW & on this link: http://bit.ly/e-book_3WDS14
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

looking forward to celebrating to World Water Day with you
Cheers,


Suzon
Waterwheel, Make and Share about Water
http://water-wheel.net <http://water-wheel.net/>


******************************************
E-BOOK 'Water Views: Caring and Daring
Waterwheel World Water Day Symposium 2014 ­ 3WDS14'
******************************************

Science, Art, Ecology, Community and Youth
respond to the theme: ³Water Views: Caring and Daring.²

An astonishing number and variety of entries ­ 125 articles & 540 pages ­
makes this book a rich collection of ongoing work internationally, often
with a local focus, on raising awareness and responding to water issues.

450 participants, from 34 countries across 5 continents, interacted with
audience Œlive¹ on the Internet & in 18 physical venues or Œnodes¹,
through Waterwheel, an online platform dedicated to water. The symposium,
held 17-23 March 2014, also integrated youth & inter-generational dialogue
with the ³Voice of the Future² strand.
Transversal knowledge and multidisciplinarity across cultures and
languages shaped the content and structure of the e-book. The nine, richly
illustrated sections contain three types of entries, based on the
presentation given as part of the Symposium: ³Splash²­ project overview,
³Ripple²­ detailed project description, and ³Wave²­ peer-reviewed article
on original research.

Table of Contents
1. Opening - performances: Ulay, Jason Lim and online-performers
2. Voice of the Future - youth projects: performances, conservation
campaigns...
3. Activism, Art & Science - projects catalysing change at many levels
4. Art & Science - interdisciplinary dialogue and interaction
5. Hydrology ­ Past & Future - from India, Greece, Tunisia, California and
Australia
6. Conservation & Transmission - water rights, festivals, cultural
heritage and museums
7. Care & Dare - water values re-envisaged by community groups
8. Performance - live art, outdoor actions & online-performances designed
Waterwheel¹s creative collaboration interface Œthe Tap¹
9. Hydrosonics - a sound art festival hosted at NYU by Ear to the Earth

The e-book is available for free download in its entirty and by individual
chapters. Any donation, however, towards keeping Waterwheel turning, will
be hugely appreciated.We especially encourage a donation if you represent
a funded
institution. http://bit.ly/e-book_3WDS14

[Cyposium] reminder - 14 March

[suzon f. <su...@ig...>]

Dear Cyposium list members,


This is a reminder.
Deadline for submitting works to the
virtual exhibition "HOT WATER ­ Water, Peace & War"
is 14 March 2015.
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Artists, scientists, activists, teachers, youth are invited to upload
Videos (it can be documents of performances too), digital postcards, poems
or texts on the theme of ³HOT WATER²: climate change, environmental
decline, rights violations, volatile
politics and conflict about water.
INFO http://bit.ly/HOT-WATER

Please consider contributing and share far and wide

******************************************
The English expression ³To be in HOT WATER² means to be in trouble.
Currently, climate change, environmental decline, rights violations,
volatile politics and conflict all suggest ³HOT WATER².
Water is a fundamental element for all beings on Earth. A symbol of life
and a ³common good² which should be available to all, water is quickly
becoming a commodity to some, and often taken as hostage in conflicts to
besiege and displace populations. Corporates, governments, and industries
such as mining and tourism use it for their own short-term benefits,
depriving people ­ especially Indigenous people and farmers ­ of their
rights, causing pollution, threatening health and the environment, and
compromising long-term water management.

- How can art, science, design, and activism reinstate the social, cultural
and environmental value of water?
- How can we share the responsibility of water in a positive way?
- How can we all preserve the right of access to water?
- How can intergenerational knowledge-sharing get us out of ³HOT WATER²,
end
conflict and find peace?

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
English: http://bit.ly/HOT-WATER
Español: http://bit.ly/AGUAS-TURBULENTAS
Français: http://bit.ly/EAU-TROUBLE

******************************************
Cheers

Suzon
Waterwheel, Make and Share about Water
http://water-wheel.net
******************************************

[Cyposium] call to virtual exhibition - deadline extended

[suzon f. <su...@ig...>]

Dear Cyposium list members,


I'd like to inform you that the deadline for submitting works to the
virtual exhibition "HOT WATER ­ Water, Peace & War" has been extended to
the 14 March 2015.
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Artists, scientists, activists, teachers, youth are invited to upload
videos, digital postcards, poems or texts on the theme of ³HOT WATER²:
climate change, environmental decline, rights violations, volatile
politics and conflict about water.
INFO http://bit.ly/HOT-WATER

Please consider contributing and share far and wide

Cheers from rainy Brisbane (under the influence of Cyclone Marcia)


Suzon
Waterwheel, Make and Share about Water


******************************************
The English expression ³To be in HOT WATER² means to be in trouble.
Currently, climate change, environmental decline, rights violations,
volatile politics and conflict all suggest ³HOT WATER².
Water is a fundamental element for all beings on Earth. A symbol of life
and a ³common good² which should be available to all, water is quickly
becoming a commodity to some, and often taken as hostage in conflicts to
besiege and displace populations. Corporates, governments, and industries
such as mining and tourism use it for their own short-term benefits,
depriving people ­ especially Indigenous people and farmers ­ of their
rights, causing pollution, threatening health and the environment, and
compromising long-term water management.

How can art, science, design, and activism reinstate the social, cultural
and environmental value of water?
How can we share the responsibility of water in a positive way?
How can we all preserve the right of access to water?
How can intergenerational knowledge-sharing get us out of ³HOT WATER², end
conflict and find peace?

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
English: http://bit.ly/HOT-WATER
Español: http://bit.ly/AGUAS-TURBULENTAS
Français: http://bit.ly/EAU-TROUBLE
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

[Cyposium] CyPosium book presentation at Transmediale

[helen v. j. <he...@cr...>]

hi everyone,
the recording of the cyberformance for the CyPosium book presentation at
Transmediale is now online :)

the sound is a little bit muffly, but i've tried several times to export
it differently & basically my computer can't cope with a large file size
... but generally i think it's ok. the text from the performance is also
on the web site.

http://www.cyposium.net/event/transmediale-presentation/

thanks very much to katarina for the recording, to ruth & maria who were
at transmediale & also spoke at the presentation, & to all the readers
for this version of the performance :)

h : )
-- 
helen varley jamieson
he...@cr...
http://www.creative-catalyst.com
http://www.wehaveasituation.net
http://www.upstage.org.nz

Re: [Cyposium] CyPosium book presentation at Transmediale

[Alan S. <son...@pa...>]

Hi, I wish I could contribute to this, at the moment we're in a mess here 
and I'm having a hard time thinking my way out of it...

Apologie,s Alan


==
email archive http://sondheim.rupamsunyata.org/
web http://www.alansondheim.org / cell 718-813-3285
music: http://www.espdisk.com/alansondheim/
current text http://www.alansondheim.org/ta.txt
==

Re: [Cyposium] CyPosium book presentation at Transmediale

[Maria C. <M.C...@hu...>]

Hi Helen

I'll be there too. I can contribute if needed.

Look fwd to meeting you

all best
Maria


Dr Maria Chatzichristodoulou

Lecturer in Performance and New Media
Programme Leader MA by Research & PhD in Theatre and Performance
Disability, Equality and Diversity Tutor
School of Drama, Music and Screen
University of Hull

Room: Loten L104
Cottingham Road
Hull, HU6 7RX, UK

T. +44 (0) 1482 465076

http://www2.hull.ac.uk/fass/drama.aspx


________________________________
From: helen varley jamieson [he...@cr...]
Sent: Tuesday, January 20, 2015 9:01 PM
To: Adriene Jenik
Cc: cyberformance symposium; son...@gm...; son...@pa...; Maria Chatzichristodoulou; de...@en...; ro...@ro...; ro...@ea...; Ruth Catlow; Adriene Jenik; ste...@ve...; no...@de...; ma...@em...; alv...@fi...; de...@un...; Cherry Truluck
Subject: Re: CyPosium book presentation at Transmediale

great, thank you adriene! joseph also answered separately that he would like to join :)

i will copy you both into the emails with the other participants.

h : )

On 20/01/15 9:03 08PM, Adriene Jenik wrote:
If there is room I would like to join you all for this presentation.
I'll be calling in from Washington, DC and it would be best for me if I could present in the 1st 30 mins.

Hello to all!
Adriene

On Tue, Jan 20, 2015 at 6:38 AM, helen varley jamieson <he...@cr...<mailto:he...@cr...>> wrote:
hi everyone,
transmediale have given me a whole hour to present the book, so i've
consulted with those who performed at the launch & we are going to give
the performance again :)

there is an announcement of the event here:
http://www.cyposium.net/event/transmediale-presentation/ (with time
converter link)

if anyone else would like to be part of the performance, please let me
know. it just involves reading an excerpt or two from the book, and a
little bit of thought into what you show on your web cam. you can see
the recording of the launch performance here to give you an
idea:http://www.cyposium.net/2014/launch-of-cyposium-the-book/

it would be great to have a few more voices; & you can also watch it live.

h : )
--
helen varley jamieson
he...@cr...<mailto:he...@cr...>
http://www.creative-catalyst.com
http://www.wehaveasituation.net
http://www.upstage.org.nz




--
Adriene Jenik
Professor and Director, School of Art
Herberger Institute for Design and the Arts, ASU
http://art.asu.edu
http://www.adrienejenik.net



--
helen varley jamieson
he...@cr...<mailto:he...@cr...>
http://www.creative-catalyst.com
http://www.talesfromthetowpath.net
http://www.upstage.org.nz