[ReZound-users] A few thoughts on the GUI display
Status: Beta
Brought to you by:
ddurham
From: John O. <jo...@mc...> - 2004-03-23 16:10:27
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Davy, I've edited another disc with ReZound and I have some minor thoughts on the interface. (I am using the v0.9.0beta that Gentoo installs, not anything manually checked out of the CVS, since I am trying to keep my working sound machine stable. Apologies if any of these things are already attended to.) Least importantly, those of us who work with multiple versions of the same recording at different sampling rates and bit depths, would appreciate having the bit depth of the loaded file displayed, as the sampling rate already is, just to reassure us that we are working on the version we think we are working on. (This feature will become more important as you get older.) Another feature that I miss from SoundForge (which has its own problems and inaccessible developers to boot) is some sort of exact, numerical(?) representation of the state of the vertical zoom of the waveform display. When switching back and forth among files, trying to compare the details of the waveform while zoomed in, it would be great to be able to be sure I have the exact same view and that I can reproduce it exactly in the future. SoundForge uses a reticle on the y-axis with -inf at the baseline and 0 db at the upper and lower limits, to begin with. Expanding the scale pops up new intermediate values. I have on occasion used that scale to eyeball how much to "normalize" a replacement sample, but that is not too accurate, needless to say. A simple percentage value (as you already have on the horizontal zoom) would at least let me repeat an adjustment exactly. I saved the nasty one to program till last. I really miss the time display reticle from SoundForge on the ruler across the top of the display. I use it primarily to double check my judgment about inter-track spacing. (What sounds right had better fall between 4 and 9 seconds, or I will regret it later. And all the tracks on a single CD need to be within a still tighter range.) The problem with the current reticle is that I have to subtract 00:05.983 from 00:07.479, to get 1.496s spacing between tick marks, then count the tick marks and multiply that number by 1.496s to get the timing. And that is any easy one, since you can round to 1.5. I realize that you can have ReZound do the calculation by simply selecting the gap. But that means that you have to unset whatever is currently selected, which may not be desireable. For the reticle, I realize that you are at the mercy of Fox, about which I know nothing. It sure would be great if it could be adjusted so the tick mark values end with some zeros. An alternate approach, which would be quite valuable regardless of the reticle, would be some sort of buffer to which you could save named selections. Then you could restore exact selections from a list. Perhaps it could work like the clipboard. Each selection could be named by its start and end times. What happens when a deletion occurs earlier in the file? Or perhaps there is a way to have multiple, simultaneous selections: aqua, chartreuse, puce? Then there could be a mechanism for shifting the focus to a given selection, making it the 'active selection.' Well, I think I have worn out my welcome for today. Keep up the great work despite all the suggestions. John |