From: Raine M. E. <ra...@ik...> - 2014-06-18 09:37:08
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Citerar Vesa <di...@nb...>: > On 06/18/2014 09:48 AM, Raine M. Ekman wrote: >> Citerar Vesa <di...@nb...>: >>> In the original TB-303, it wasn't, it was a simple on/off switch. >> Yes and no. It had a simple on/off switch for programming the note, >> and a knob for how strong the accent actually is when played. >> > Oh, my mistake. I always thought it was just a switch (never had a > chance to play with a real one myself). The closest I've come was ReBirth. Nice sound, but it was a great example of how a UI copied off hardware can suck in a computer :) > Got any other info on the accent feature? From what I've been able to > gather (correct me if I'm wrong), it worked by adding a slight volume > envelope on top of the note volume, and by modifying both the env mod > and cutoff of the filter (higher env mod + lower cutoff, so that the > sweep travels a longer distance). I've no idea about the specific values > though... I figured I could just guesstimate them, but it would be nice > if you had a source for some more accurate values. No, I don't really know anything about the details on this, and your impression sounds plausible. But I guess there should be a lot of info out there, as the machine is legendary enough that some electronics geek must've traced through the schematics and simulated everything, or done some heavy measuring. > Another thing: how should the "dead" switch work with accent? I'm > thinking the "dead" switch would disable the filter part of the accent, > and only keep the volume accentuation, unless there's a better way... IMO it's hard to say without hearing both alternatives. Reading the code I'm guessing the "dead" swithc turns the volume envelope into a flat line, if that is true it would maybe be more logical to keep it that way also when accented. But that's just me thinking in a primitive "switch goes to circuit" kind of mindset. -- ra...@ik... softrabbit on #lmms |