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From: Wahs H. <te...@en...> - 2009-12-31 19:03:47
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On treacherously-covered poles or slipped from the trail into the icy stream. At last the little belt of thick timber was reached, and Ham's heart rejoiced, for he knew t |
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From: Larence <rem...@vi...> - 2009-12-18 15:45:40
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From: Slaten R. <lin...@li...> - 2009-09-22 14:57:11
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From: Schaber L. <lin...@li...> - 2009-09-06 12:38:26
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From: Vanes L. <par...@be...> - 2009-08-31 05:20:54
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in the language. ALDA. Yes, like the word romantic, it is a convenient "exploding word," and in its general application signifies nothing more than "see how much finer I am than other people!"[1] but in literature and character I shall adhere to the definition of Madame de Stael, who uses the word _vulgar_ as the reverse of _poetical_. Vulgarity (as I wish to apply the word) is the _negative_ in all things. In literature, it is the total absence of elevation and depth in the ideas, and of elegance and delicacy in the expression of them. In character, it is the absence of truth, sensibility, and reflection. The vulgar in manner, is the result of vulgarity of character; it is grossness, hardness, or affectation.--If you would see how Shakspeare has discriminated, not only different degrees, but different kinds of plebeian vulgarity in women, you have only to compare the nurse in Romeo and Juliet with Mrs. Quickly. On the whole, if there are people who, taking the strong and essential distinction of sex into consideration, still maintain that Shakspear |
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From: Cradduck M. <wh...@le...> - 2009-08-29 10:35:41
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Ejoined you, make your way to the nearest policeman, and tell him that you have good reason to believe that a friend of yours has either been murdered or suffered serious personal injury in a room on the second storey of the house in question. You will then, in company with the policeman, come rapidly to the apartment I have indicated and demand an immediate entrance--if necessary bursting the door open." "And what then?" gasped the amazed earl. "I really don't kn |
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From: Tocchio <sig...@es...> - 2009-08-27 04:50:52
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Heir tongue or their hand maintained by perjury or civil bloodshed; all, in fine, whom wickedness, poverty, or a guilty conscience disquieted, were the associates and intimate friends of Catiline. And if any one, as yet of unblemished character, fell into his society, he was presently rendered, by daily intercourse and temptation, similar and equal to the rest. But it was the young whose acquaintance he chiefly courted, as their minds, ductile and |
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From: Zohn <me...@ni...> - 2009-08-26 21:09:19
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use variously-tempered needles of different qualities and co |
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From: Swantek <de...@li...> - 2009-08-24 17:59:48
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Is arrest. "Immediately afterwards you will be set at liberty, and put on board the air-boat on which you travelled from Rome, with the same driver who brought you here, on one single condition. That condition i |
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From: Powers <gab...@qr...> - 2009-08-23 17:45:27
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Eless youth, A Russian and a stranger, I had slain A grandee o |
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From: Hoerauf <has...@eb...> - 2009-08-14 21:19:10
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TE VI. IV. 2. 46. The Folios have 'send him Mistris redemption,' and Rowe, by his punctuation and capital R, made Dromio call Luciana 'Redemption.' Pope and Theobald seem to have followed him, though they give the small r. The Folios cannot be made chargeable with this error, for the comma does not regularly follow vocatives in these editions where we expect it. There is no comma, for instance, following the word 'Mistress' in IV. 3. 75 or in IV. 4. 39. NOTE VII. IV. 4. 29. The word 'ears' might probably be better printed ''ears' for 'years;' for a pun--hitherto, however, unnoticed--seems to be indicated by the following words. A very farfetched explanation has been offered by Steevens, and accepted by Delius and, we believe, by all the modern editors, namely, that Antipholus has wrung Dromio's ears so often that they have attained a length like an ass's. NOTE VIII. V. 1. 1. Shakespeare uses the words 'Priory' and 'Abbey' as synonymous. Compare V. 1. 37 and V. 1. 122. NOTE IX. V. 1. 235. It might possibly be better to print this line as two lines, the first being broken: 'By the way we met My wife....' But the place is probably corrupt. NOTE X. V. 1. 399. The number Thirty-three has been altered by editors to bring the figures into harmony with other periods named in the play. From I. 1. 126, 133 the age of Antipholus has been computed at twenty-three; from I. 1. 126 and V. 1. 308 we derive twenty-five. The Duke says he has been patron to Antipholus for twenty years, V. 1. 325; but three or five seems too small an age to assign for the commencement of this patronage. Antipholus saved the Duke's life in the wars 'long since,' V. 1. 161, 191. His 'long experience' of his wife's 'wisdom' and her 'years' are mentioned, III. 1. 89, 90. But Shakespeare probably did not compute the result of his own figures with any great care or accuracy. * * * * * * * * * * * * * * Sources: The editors' Preface (e-text 23041) discusses the 17th- and 18th-century editions in detail; the newer (19th-century) editions are simply listed by name. The following editions may appear in the Notes. All inset text is quoted from the Preface. Folios: F1 1623; F2 (no date given); F3 1663; F4 1685. "The five plays contained in this volume occur in the first Folio in the same order, and ... were there printed for the first time." Early editions: Rowe 1709 Pope 1715 "Pope was the first to indicat |
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