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From: Intercâmbio G. <it...@in...> - 2011-04-19 16:48:24
|
Caso não visualize esse email adequadamente VIEW_LINK http://itcglobal.mktnaweb.com/ver_mensagem.php?id=H|1280|27739|129363036588192600acesse este link[/VIEW_LINK] Se você não deseja mais receber nossos e-mails, cancele sua inscrição através do link http://itcglobal.mktnaweb.com/admin/sair.php?id=27739|1280|0&uid=129363036588192600 |
From: Intercâmbio G. O. <it...@in...> - 2011-04-01 20:53:03
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Caso não visualize esse email adequadamente VIEW_LINK http://itcglobal.mktnaweb.com/ver_mensagem.php?id=H|1280|25364|129363036588192600acesse este link[/VIEW_LINK] Se você não deseja mais receber nossos e-mails, cancele sua inscrição através do link http://itcglobal.mktnaweb.com/admin/sair.php?id=25364|1280|0&uid=129363036588192600 |
From: Intercâmbio G. O. <it...@in...> - 2011-03-03 21:35:27
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Caso não visualize esse email adequadamente VIEW_LINK http://itcglobal.mktnaweb.com/ver_mensagem.php?id=H|1280|21400|129363036588192600acesse este link[/VIEW_LINK] Se você não deseja mais receber nossos e-mails, cancele sua inscrição através do link http://itcglobal.mktnaweb.com/admin/sair.php?id=21400|1280|0&uid=129363036588192600 |
From: Intercâmbio G. O. <it...@in...> - 2011-02-10 14:18:07
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Caso não visualize esse email adequadamente VIEW_LINK http://itcglobal.mktnaweb.com/ver_mensagem.php?id=H|1280|17735|129363036588192600acesse este link[/VIEW_LINK] Se você não deseja mais receber nossos e-mails, cancele sua inscrição através do link http://itcglobal.mktnaweb.com/admin/sair.php?id=17735|1280|0&uid=129363036588192600 |
From: Intercâmbio G. <it...@in...> - 2010-12-29 15:20:29
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Caso não visualize esse email adequadamente VIEW_LINK http://itcglobal.mktnaweb.com/ver_mensagem.php?id=H|1280|10531|129363036588192600acesse este link[/VIEW_LINK] Se você não deseja mais receber nossos e-mails, cancele sua inscrição através do link http://itcglobal.mktnaweb.com/admin/sair.php?id=10531|1280|0&uid=129363036588192600 |
From: Langmo A. <ver...@fl...> - 2010-09-23 08:59:39
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Eserved. A Frenchman, in nine cases out of ten, will not, in the first place, buy any book that was born out of France, any more than he will buy an article of furniture or china, or a coin, emanating from a less favoured soil; nor will he willingly acquire even a volume of native origin in any state but the orthodox morocco; but his first impulse and act, if he does so under protest, is to strip and re-clothe the disreputable article, and have it put into habiliments worthy of the _cabinet choisi_ of Monsieur. Now, we have had, and no doubt have still, on this side of the Channel certain heathens in the likeness of collectors who, no matter how perfect and how fresh, and how suitable, the original jacket, commit the heinous offence of following the Continental mode, and in such a way thousands of lovely examples, transmitted to us as heirlooms from our ancient families, have been sacrificed. But let us congratulate ourselves that we have among us many who know better, who will not even let the binder desecrate a faultless copy of Tennyson, Byron, Shelley, or Keats in the publisher's boards. This is, however, not exactly an analogy. The analogy arises and grows possible when we compare such writers as Montaigne, Moliere, Corneille, or again, certain of the Elzevir series, with our corresponding foremost names. If we meet with the latter in vellum or in sheep, we only too gladly preserve them as we find them, provided that the outward garb is irreproachable. Of how many gems do we not know, in all the peerless glory of their pristine life, tenderly ensconced in morocco envelopes. Let them never be acquainted with another existence! Let no binder's unholy hand come near them! Let them be exhibited as historical monuments. On the other hand, if we could oblige Monsieur to comply with this law, he would be _desole_; for it is not the matter which makes the book; it is the _maroquin rouge_. Even in England, where we are more robust in our taste, the t |
From: <rab...@li...> - 2010-08-03 14:47:24
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From: Romanik C. <per...@so...> - 2010-06-15 14:58:56
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From: Spitsberg Z. <de...@dt...> - 2010-03-28 18:44:16
|
conversation took place: "A work of art is only significant and valuable when there are some serious social problems contained in its central idea," said Kostya, looking wrathfully at Yartsev. "If there is in the work a protest against serfdom, or the author takes up arms against the vulgarity of aristocratic society, the work is significant and valuable. The novels that are taken up with 'Ach!' and 'Och!' and 'she loved him, while he ceased to love her,' I tell you, are worthless, and damn them all, I say!" "I agree with you, Konstantin Ivanovitch," said Yulia Sergeyevna. "One describes a love scene; another, a betrayal; and the third, meeting again after separation. Are there no other subjects? Why, there are many people sick, unhappy, harassed by poverty, to whom reading all that must be distasteful." It was disagreeable to Laptev to hear his wife, not yet twenty-two, speaking so seriously and coldly about love. He understood why this was so. "If poetry does not solve questions that seem so important," said Yartsev, "you should turn to works on technical subjects, criminal law, or finance, read scientific pamphlets. What need is there to discuss in 'Romeo and Juliet,' liberty of speech, or the disinfecting of prisons, instead of love, when you can find all that in special articles and textbooks?" "That's pushing it to the extreme," Kostya interrupted. "We are not talking of giants like Shakespeare or Goethe; we are talking of the hundreds of talented mediocre writers, who would be infinitely more valuable if they would let love alone, and would employ themselves in spreading knowledge and humane ideas among the masses." Kish, lisping and speaking a little through his nose, began telling the story of a novel he ha |
From: Shop C. P. on www.55-11.cn <is...@aw...> - 2010-03-08 12:47:24
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From: Bostock <sat...@ca...> - 2009-12-08 13:19:45
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From: Josephina I. <rab...@li...> - 2009-09-10 10:16:13
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From: Dipiazza <eff...@vs...> - 2009-09-03 08:11:06
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70. Boulder, C. E., 6. Harmon, 5. Pueblo, Pilgrim, 2.85. W. H. M. U., 2.85. CALIFORNIA, $272.57. San Francisco, Receipts of the California Chinese Mission (see items below), 272.57. OREGON, $9.80. Albany, 3. Hillside, 2.30. Oregon City, C. E., 2.50. Wilsonville, Hood View C., 2. WASHINGTON, $53.00. Cheney, First, 8. WOMAN'S HOME MISSIONARY UNION OF WASHINGTON, by Mrs. Edward B. Burwell, Treas., $45.00. State Juvenile Soc., "Cradle Roll," _for S. A., Moorhead, Miss._, 45. NORTH CAROLINA, $4.70. Dry Creek, 1. WOMAN'S HOME MISSIONARY UNION OF N. C., M. E. Newton, Treas., $3.70. Charlotte, 1. Melville, 1. Oaks, 1.70. TENNESSEE, $121.75. Big Creek Gap, Miss K. C. LaGrange, _for Big Creek Gap, Tenn._, 30. Grand View, H. C. Hilleary, 2; Miss Mary E. Taylor, 75 cts., _for Bell-tower, Grand View, Tenn._ Knoxville, L. H. Kalbfleisch, _for Knoxville, Tenn._, 1. Nashville, Anonymous, _for S. A., Fisk U._, 80. Nashville, C. E. of Fisk U., _for Porto Rico_, 5. Post Oaks, Miss Lucy Leslie, _for S. A., Grand View, Tenn._, 3. GEORGIA, $1.50. McIntosh, Miss Eva M. Hardy, _for S. A., McIntosh, Ga._, 1.50. ALABAMA, $15.00. La Pine, 5. Talladega, Miss A. E. Farrington, _for King's Mountain N. C._, 10. FLORIDA, $5.81. Tampa, First, 5.81. LOUISIANA, $25.00. New Orleans, Alumni Assoc'n of Straight U., _for S. A., Straight U._, 25. MISSISSIPPI, $6.00. Moorhead, Miss F. A. Gardner, _for A. G. School, Moorhead, Miss._, 6. TEXA |
From: Joe <sub...@ro...> - 2009-09-01 18:15:48
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enchanted face, With solemn echoing stirs their dwelling-place. When music sounds, all that I was I am Ere to this haunt of brooding dust I came; While from Time's woods break into distant song The swift-winged hours, as I hasten along. THE REMONSTRANCE I was at peace until you came And set a careless mind aflame. I lived in quiet; cold, content; All longing in safe banishment, Until your ghostly lips and eyes Made wisdom unwise. Naught was in me to tempt your feet To seek a lodging. Quite forgot Lay the sweet solitude we two In childhood used to wander through; Time's cold had closed my heart about; And shut you out. Well, and what then?... O vision grave, Take all the little all I have! Strip me of what in voiceless thought Life's kept of life, unhoped, unsought!-- Reverie and dream that memory must Hide deep in dust! This only I say:--Though cold and bare The haunted house you have chosen to share, Still 'neath its walls the moonbeam goes And trembles on the untended rose; Still o'er its broken roof-tree rise The starry arches of the skies; And in your lightest word shall be The thunder of an ebbing sea. NOCTURNE 'Tis not my voice now speaks; but a bird In darkling forest hollows a sweet throat-- Pleads on till distant echo too hath heard And doubles every note: So love that shrouded dwells in mystery Would cry and waken thee. Thou Solitary, stir in thy still sleep; All the night waits thee, yet thou still dream'st on. Furtive the shadows that about thee creep, And cheat the shining footsteps of the moon: Unseal thine eyes, it is my heart that sings, And beats in vain its wings. Lost in heaven's vague, the stars burn softly through The world's dark latticings, we prisoned stray Within its lovely labyrinth, and know Mute seraphs guard the way Even from silence unto speech, from love To that self's self it still is dreaming of. THE EXILE I am that Adam who, with Snake for guest, Hid anguished eyes upon Eve's piteous breast. I am that Adam who, with broken wings, Fled from the Seraph's brazen trumpetings. Betrayed and fugitive, I still must roam A world where sin, and beauty, whisper of Home. Oh, from wide circuit, shall at length I see Pure daybreak lighten again on Eden's tree? Loosed from remorse and hope and love's distress, Enrobe me again in |
From: Lacrue B. <so...@37...> - 2009-08-23 04:55:52
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of a man from another to herself. I have spoken." And he turned to go. "Stay!" said the King. "Who set these foul charms in the doorway of Saduko's hut?" "How can I tell, O King, unless I make preparation and cast the bones and smell out the evil-doer? You have heard the story of the woman Nahana. Accept it or reject it as your heart tells you." "If that story be true, O Zikali, how comes it that you yourself smelt out, not Mameena, the wife of Masapo, but Masapo, her husband, himself, and caused him to be slain because of the poisoning of the child of Nandie?" "You err, O King. I, Zikali, smelt out the House of Masapo. Then I smelt out the poison, searching for it first in the hair of Mameena, and finding it in the kaross of Masapo. I never smelt out that it was Masapo who gave the poison. That was the judgment of you and of your Council, O King. Nay, I knew well that there was more in the matter, and had you paid me another fee and bade me to continue to use my wisdom, without doubt I should have found this magic stuff hidden in the hut, and mayhap have learned the name of the hider. But I was weary, who am very old; and what was it to me if you chose to kill Masapo or chose to let him go? Masapo, who, being your secret enemy, was a man who deserved to die--if not for this matter, then for others." Now, all this while I had b |
From: Diniz <os...@ic...> - 2009-08-20 22:40:15
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Is justified. I can never fathom where he gets them." She turned to Darsie with a little gesture of confidence, and slightly lowered her voice. "I am known as `the Professional Chaperon.' I hope you will engage my services if you are in need of such a personage, but perhaps we ought to know one another a little better first. I should like so much to know you! Will you come to see me one afternoon next week when y |
From: Leia D. <rab...@li...> - 2009-07-29 16:02:26
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