[Ov4j-users] Fected, then the cricoid, and the aryt
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From: Wetterer <air...@ar...> - 2009-08-27 20:26:04
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G the periods of growth, the vocal bands will respond. The compass of the head voice at this time varies largely, but it corresponds pretty closely to that of the second soprano, in three part exercises, or from C to C. If it is attempted to carry the voice down it changes to the chest register unless used very lightly. Without attempting then to lay down positive rules for treating a voice which consists of fragments of voices, the above suggestions are made in the hope that they may receive the consideration of teachers and musicians. CHAPTER VIII. THE ALTO VOICE IN MALE CHOIRS. The suggestions of the preceding chapters are addressed directly to those who teach vocal music in public or private schools, but the general principles and rules are equally applicable to the training of soprano choir boys. The results in beauty and power of tone which may be obtained from carefully selected choir boys can seldom be equalled in the school-room, first, because training is required to develop voices in strength and purity of tone, and the time devoted generally to school singing, one hour a week possibly, is no more than that given to a single rehearsal of choristers. Again school singing includes all members of the class, and while it is true that there may be but few pupils in each room who cannot sing, yet there are likely to be some. These voices, which we call monotones disappear almost entirely when pupils are trained to use the head voice. Still, there is a percentage in every class in school, whose inherited musical perceptions are very feeble, and their slowness cannot but retard the general progress. Many of the difficulties that beset the teacher of music in schools, then, are eliminated at the start by the choir trainer, when he selects boys with good voices, who sing in tune naturally. The increase in the number of vested choirs in this country has been very rapid during the past few years, and fortunately, the ideas which have prevailed among the majority of choir-masters on the subject of the boy voice, have been just. This is easily understood when we reflect that we have made the best English standards our ideal. The leaven of sound doctrine on the |