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<title>circulatory ethnomethodology</title>
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<b>Good evening,</b><br>
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<p>in her black riding habit, and all the ease and grace of her
deportment, impressed Dolly.
For the first minute it seemed to her unsuitable for Anna to be
on horseback. The conception of riding on horseback for a lady
was, in Darya Alexandrovna's mind, associated with ideas of
youthful flirtation and frivolity, which, in her opinion, was
unbecoming in Anna's position. But when she had scrutinized her,
seeing her closer, she was at once reconciled to her riding. In
spite of her elegance, everything was so simple, quiet, and
dignified in the attitude, the dress and the movements of Anna,
that nothing could have been more natural.
Beside Anna, on a hot-looking gray cavalry horse, was Vassenka
Veslovsky in his Scotch cap with floating ribbons, his stout
legs stretched out in front, obviously pleased with his own
appearance. Darya Alexandrovna could not suppress a good-humored
smile as she recognized him. Behind rode Vronsky on a dark bay
mare, obviously heated from galloping. He was holding her in,
pulling at the reins.
After him rode a little man in the dress of a jockey. Sviazhsky
and Princess Varvara in a new _char-?-banc_ with a big, raven-black
trotting horse, overtook the party on horseback.
Anna's face suddenly beamed with a joyful smile at the instant</p>
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