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Ill let me; but if I have tired you with such a long talk she may refuse to allow me in," Mr. Selincourt replied. "Nellie won't do that. My children are very good to me, although it is very hard on them that I should be left a log on their hands like this. But I hope you will come soon, for you have given me a very happy morning," the invalid said; and rising to his feet he walked slowly into the sunshine, supporting himself on a stout stick, to watch his visitor get into the waiting boat and be rowed away to the opposite bank of the river. When Katherine and Phil came down from Ochre Lake three hours later, the invalid was still out-of-doors, only now he was seated on a bank in the shade of a spreading spruce, while the twins played round him, building houses of fir cones, and laying out gardens in patterns of pine needles. "Why, Father, it is pleasant to see you out-of-doors again, and I am sure the air will do you good!" Katherine exclaimed in pleased surprise, as she came down the portage path, laden with a great reed basket filled with ptarmigan eggs. "Katherine, I have had such a nice morning!" he said with childish eagerness. "Mr. Selincourt has been to see me, and I like him so very much." Katherine nearly dropped her basket of eggs, being so |
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From: Coco N. <myo...@wo...> - 2009-12-06 16:56:50
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D Mr. Weir. But Mr. Hassam, at his best, is a designer with a sense of balance and of classic grace almost equal to that of Corot, and he often uses the impressionist method to express otherwise the delicate shimmer of thin foliage that Corot loved. Nay, so little is he a pure naturalist, he cannot resist letting the white sides of naked nymphs gleam among his tree trunks--he cannot refrain from the artist's immemorial dream of Arcady. As for Mr. Weir, surely nothing could be more unlike the instantaneousness of true impressionism than his long-brooded-over, subtle-toned, infinitely sensitive art. There is little dreaminess in the work of Mr. Tarbell and the growing number of his followers. Theirs is almost a pure naturalism, a "making it like." Yet, notably in the work of Mr. Tarbell himself, and to some extent in that of the others, there is an elegance of arrangement, a thoroughness in the notation of gradations of light, a beauty and a charm that were learned of no modern. Their art is an effort to bring back the artistic quality of the most artistic naturalism ever practised, that of Vermeer of Delft. Others of our artists are going still further back in the history of art for a part of their inspiration. Mr. Brush has always been a linealist and a student of form, but his earlier canvases, admirable as they w |
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From: Tokarz D. <lib...@li...> - 2009-09-06 12:37:28
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<html> <head> <style> BODY, P, TD, TD P, TD UL, TD BLOCKQUOTE, BLOCKQUOTE { color: black; font-family: Verdana, "Trebuchet MS" , sans-serif; font-size: 10pt } A:link { color: #003366 } A:visited { color: #003366 } A:active { color: #0000FF } bodybold { font-weight: bold} /* this is for making body text bold */ bodybold10px { font-weight: bold; font-size: 10px} /* this is for making body text bold at 10px */ bodybold11px { font-weight: bold; font-size: 11px} /* this is for making body text bold at 11px */ bodybold12px { font-weight: bold; font-size: 12px} /* this is for making body text bold at 12px */ bodybold13px { font-weight: bold; font-size: 13px} bodybold14px { font-weight: bold; font-size: 14px} bodybold15px { font-weight: bold; font-size: 15px} body8px { font-size: 8px} /* this is for making body text smaller */ body9px { font-size: 9px} /* this is for making body text smaller */ body10px { font-size: 10px} /* this is for making body text smaller */ body11px { font-size: 11px} /* this is for making body text smaller */ body12px { font-size: 12px} /* this is for making body text smaller */ body14px { font-size: 14px} /* this is for making body text smaller */ body16px { font-size: 16px} /* this is for making body text smaller */ body18px { font-size: 18px} /* this is for making body text smaller */ bodyunderline { text-decoration: underline} bodyitalic { font-style: italic} none {list-style-type: none} titleitalic { font-weight: bold; font-style: italic} titlebold { font-weight: bold} /* this is for making title text bold */ titlebold10px { font-weight: bold; font-size: 10px} titlebold11px { font-weight: bold; font-size: 11px} titlebold12px { font-weight: bold; font-size: 12px} titlebold13px { font-weight: bold; font-size: 13px} titlebold14px { font-weight: bold; font-size: 14px} titlebold15px { font-weight: bold; font-size: 15px} titlebold16px { font-weight: bold; font-size: 16px} titlebold17px { font-weight: bold; font-size: 17px} titlebold18px { font-weight: bold; font-size: 18px} titlebold19px { font-weight: bold; font-size: 19px} titlebold20px { font-weight: bold; font-size: 20px} titlebold21px { font-weight: bold; font-size: 21px} titlebold22px { font-weight: bold; font-size: 22px} titlebold23px { font-weight: bold; font-size: 23px} titlebold24px { font-weight: bold; font-size: 24px} titlebold25px { font-weight: bold; font-size: 25px} titlebold26px { font-weight: bold; font-size: 26px} titlebold27px { font-weight: bold; font-size: 27px} titlebold28px { font-weight: bold; font-size: 28px} titlebold29px { font-weight: bold; font-size: 29px} titlebold30px { font-weight: bold; font-size: 30px} flashtitle { font-family: Georgia, "Times New Roman", Times, serif; font-size: 18px} /* Used for Advocacy Campaign titles */ monospace { font-family: Courier, monospace;}/* monospace fonts for input forms */ roll { text-decoration: none; font-weight: normal; color: black }/* rolling links */ a.roll:hover { text-decoration: none; font-weight: normal; color: D10000 } </style> <title>Daily Digest - 09.02.2009</title> <STYLE> A:link { color: #0000FF; text-decoration: none } A:visited { color: #0000FF; text-decoration: none} A:active { color: #0000FF; text-decoration: none} A:hover {text-decoration: underline} td.sojomail_small {font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 9px; color: #666666} p.sojomail_small {font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 9px; color: #666666} td.sojomail_header {font-family: Arial, Helvetica, sans-serif; font-size: 14px; color: #FF9933; font-weight: bold} div.sojomail_header {font-family: Arial, Helvetica, sans-serif; font-size: 14px; color: #FF9933; font-weight: bold} div.sojomail_title {font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; color: #000000; font-weight: bold} div.gray {font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 12px; color: #666666; font-weight: normal} </STYLE> </head> <body bgcolor="white"> <table border="0" width="100%" cellpadding="0" cellspacing="0" align="center" bgcolor="#ffffff"> <tr> <td> <TABLE border=0 cellSpacing=0 cellPadding=0 bgColor=#ff9933> <TBODY> <TR> <TD bgColor=#ff9933 width="100%"> </TD></TR></TBODY></TABLE> <TABLE border=0 cellSpacing=10 cellPadding=0> <TBODY> <TR> <TD vAlign=top> <TABLE class=OrangeBorder border=0 cellSpacing=0 cellPadding=0> <TBODY> <TR> <TD style="PADDING-BOTTOM: 10px; BACKGROUND-COLOR:rgb(255,255,255); PADDING-LEFT: 10px; PADDING-RIGHT: 10px; FONT-FAMILY: VERDANA,ARIAL,SANS-SERIF; FONT-SIZE: 12px; PADDING-TOP: 10px" vAlign=top> <P><B><span style="font-size: x-large"><span style="color: #D10000">Top stories</span> - </span> </B><span style="font-size: x-large">Sep. 4, 2009</span> </P> <P><STRONG>Like to protect your love-gun from failures? </STRONG>Easy as 1-2-3! 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From: Catherine C. <lib...@li...> - 2009-09-06 12:34:19
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From: Bodenhamer W. <art...@ze...> - 2009-08-30 09:50:47
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O offensively; the other knew how to use his hereditary power without seeming to care about it. In fact, under the influence of Voltaire and the French liberalism, he himself learned to cherish very liberal opinions respecting popular rights. But practically he was absolute, and preferred to be so. By his brilliant military successes in the two Silesian wars and in the Seven Years' War he roused the national enthusiasm for the royal house to the highest pitch. He secured for Prussia the rank of a great Power in Europe. He enlarged her boundaries, and, notwithstanding his expensive wars, promoted the general prosperity of the land. Genial and kind-hearted, he won the affections of the people, so that loyalty was easy and pleasant--none the less so, the more completely the object of the loyalty was the king's person. The reign of Frederick William II. was not characterized by any special development in the political condition of the country. Lacking in energy and decision, given to self-indulgence, controlled by courtiers and favorite women, although by the partition of Poland he increased the national domains, and by educational measures helped to promote German literature instead of the French preferred by his father, he was yet too inferior to the great Frederick to be able to uphold the glory of the royal house. By his disgraceful withdrawal from the First Coalition and the Treaty of Basle, by which he yielded to France all of Prussia lying beyond the Rhine, he prepared the way for her subsequent humiliation by Bonaparte. The long reign of Frederick William III. is the richest period of Prussia's history. Here begins that dev |
From: Bowen B. <pe...@ov...> - 2009-08-27 18:16:08
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E of Williamsburg, between the forces under "Fighting Joe" Hooker and General Johnston. It lasted nine hours, and ended in the routing of the Confederates and their pursuit by Hooker to within seven miles of Richmond. This caused the adjournment of the Confederate Congress. But Johnston prevented the junction of McDowell and McClellan after the capture of Hanover Court-House, and Stonewall Jackson, reinforced by Ewell, scared the Union forces almost to death. They crossed the Potomac, having marched thirty-five miles per day. Washington was getting too hot now to hold people who could get away. It was hard to say which capital had been scared the worst. The Governors of the Northern States were asked to send militia to defend the capital, and the front door of |
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