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From: Hanby L. <med...@mc...> - 2010-04-20 21:31:53
|
We move the negative three feet from the light, and instead of two, give eighteen seconds exposure, the rule telling us that this is equivalent. Thus we are enabled to regulate the strength of our light to suit the character of our negative. But a standard distance of one foot will not suit with all kinds of lights or with all sizes of negatives. If, for instance, our light is a Welsbach burner, giving an intense and comparatively white light, we will find that a normal negative will print too flat if exposed at one foot. In such a case two or even three feet would be a better standard. Experience with our light will, however, furnish the best standard, always taking a |
From: Buy V. on www.99-22.cn <gr...@ka...> - 2010-02-01 19:00:37
|
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From: Tok <pel...@eu...> - 2009-12-27 17:18:14
|
At if he prefers the barn to the parlor? What if he fights? Does he not take the risk of the scratched face and the bruises? Should he not be in some measure the judge of the situation before him when the trouble begins? Boys have an ugly name for one of their kind who discovers suddenly, in a crisis of his own making, that he is not allowed to fight. And it were better to see a boy with a dozen claw-marks down his face than to see him eat that name in peace. Now this conclusion may seem barbaric to elders who have to pay for new clothes to replace the torn ones, And according to their light perhaps the elders see clearly. But the grown-up people forget that their wisdom has impaired their vision to see as boys see and to pass judgment upon things in another sphere. For Boyville is a Free Town in the monarchy of the world. Its citizens mind their own business, and they desire travellers in this waste to do likewise. The notion that spectacled gentry should come nosing through the streets and alleys of Boyville, studying the sanitation, which is not of the best, and objecting to the constitution and by laws,--which were made when the rivers were dug and the hills piled up,--the notion of an outsider interfering with the Divine right of boys to eat what they please, to believe what they please, and, under loyalty to the monarchy of the world, to do what they please, is repugnant to this free people. Nor does it better matters when the man behind the spectacles explains that to eat sheep-sorrel is deleterious; to feed younkers Indian turnip is cruel; to suck the sap of the young grapevine in spring produces malaria; to smoke rattan is depraving, and to stuff one's stomach with paw-paws and wild-grapes is dangerous in the extreme. For does not the first article of the law of this Free Town expressly state, that boys shall be absolved from obeying any and all laws regulating the human stomach, and be free of the penalties thereto attaching? And again when Wisdom says that the boy shall give up his superstitions, the boy points to hoary tradition, which says that the snakes tail does not in fact and in truth die till sundown; that if a boy kills a lucky bug he shall find a nickel; that to cross one's hear |
From: Brazel <she...@se...> - 2009-12-26 11:39:31
|
for you, Chalmers. Here's my fist--shake!" The other walked to meet him and they clasped hands in the middle of the room. It was only for a second; for as quick as a flash, Mr. Roddy seemed to stiffen every muscle in his body. He pulled the other man toward him with one arm and shot out his other fist. It made a dull sound like a blow struck on a pan of dough. And the wretched murderer slumped down onto the floor like a sack of bran, rolled over on his back, and was still. "There!" said Mr. Roddy, with his cheerful smile. The Judge had jumped forward, too, with a shout. "Just a minute, Judge," said the reporter. "Let me explain. You remember that I found out that two years ago our clever friend was at Bridgeport. That summer a girl was found in the park there--murdered. I was on the case. They never found out who did it. Have we or have we not just heard the confession of the man who killed her?" "You mean to testify that this brute confessed to that other murder?" asked the Judge, choking out the words. "You mean to hang this man for a crime he never committed?" "Why not?" asked Mr. Roddy. "It's between us and it can be done. It's justice, isn't it?" "My God!" said the Judge. He began to bite |
From: Duwe <cod...@va...> - 2009-12-24 11:55:45
|
with stories for boys and girls--one who is conservative yet quick to catch a new element. Books that are essentially for gifts are disposed of in a similar manner--to one who has proved his or her ability to set forth artistic features in books. New editions of classics are turned over to writers who are acquainted with the mechan |
From: Craveiro <se...@la...> - 2009-09-02 16:08:57
|
D unseens. May we have the eye of an eagle to see sin afar off and shun it. I have made inquiration at several places. A letter written jointly to represent the opinions of several persons, thus expresses itself to us: "We are happy to write this letter to you in a conglomerate manner." * * * * * THE EDUCATIONAL WORK OF THE A.M.A. BY REV. FORREST F. EMERSON. The report of the Executive Committee on educational work in the South, confirms the conviction which must have impressed itself on many minds, that the Association is a divinely-appointed agency for carrying forward a work delegated to us as a _nation_. God calls nations as he calls men, and consecrates them to a special work. Rome had a call, and fulfilled it, under the Divine Providence, and that call was to work out the idea, and demonstrate the necessity, of government, and to cultivate in the minds of men everywhere regard for the authority of law; Greece had her mission, and it was to teach the value of individual culture, both physical and intellec |
From: Schappach <per...@se...> - 2009-08-30 22:03:22
|
Ked that during slavery, if the negro ventured to express an opinion about any point of management, he was met at once with a reprimand. If one should say, "I think such a course would he best," or, "Such a field of cane is fit for cutting," the reply would be, "_Think_! you have no right to think any thing about it. _Do as I bid you_." Mr. C. confessed frankly, that he had often used such language himself. Yet at the same time that he affected such contempt for the opinions of the slaves, he used to go around secretly among the negro houses at night to overhear their conversation, and ascertain their views. Sometimes he received very valuable suggestions from them, which he was glad to avail himself of, though he was careful not to acknowledge their origin. Soon after supper, Miss E., one of Mr. C.'s daughters, retired for the purpose of teaching a class of colored children which came to her on Wednesday and Saturday nights. A sister of Miss E. has a class on the same days at noon. During the |
From: Blowe A. <par...@st...> - 2009-08-24 10:44:17
|
On celebrated it this year with more than the usual thankfulness. He thought that it would be his last anniversary on the island. One morn |
From: Kappeler D. <mol...@tc...> - 2009-08-23 09:16:56
|
Wonderful that she should be able so well to give the idea of a great horror and a great doubt coming slowly into her startled eyes. "Mr. Clive?" she said again. "Yes, he's been killed," Dunn said. "By poachers, apparently." "What is that? What is that man saying?" shrilled Mrs. Dawson from behind. "Mr. Clive--John--why, he was here yesterday." Dunn turned his back and walked away. He heard Ella call after him, but he would not look back because he feared what he might do if he obeyed her call. With an odd buzzing in his ears, with the blood throbbing through his brain as though something must soon break there, he walked blindly on, and as he came to the gate of Bittermeads he saw a motor-car coming up the road. It was Deede Dawson's car, and he was driving it, and by his side sat a sulkily-smiling stranger, his air that of one not sure of his welcome, but determined to enforce it, in whom, with a quick start, Dunn recognized his burglar, the man whose attempt to break into Bittermeads he had frustrated, and whose place he had taken. He put up his hand instinctively for them to stop, and Deede Dawson at once obeyed the gesture. Dunn noticed that |
From: Groos T. <see...@co...> - 2009-08-21 03:17:32
|
D make excuses for the blackguard." Glazzard smiled at the ceiling, and smoked silently. Turning his eyes at length, and seeing Quarrier in a brown study, he contemplated the honest face, then asked: "How old is she?" "Just one-and-twenty." "I should have thought younger." Nothing more was said of Lilian, and very soon they went to the room where she awaited them. "I know you are a musician, Mr. Glazzard," said Lilian before long. "Will you let me have the pleasure of hearing you play something?" "Some enemy hath done this," the guest made reply, looking towards Denzil. But without further protest he went to the piano and played two or three short pieces. Any one with more technical knowledge than the hearers would have perceived that he was doing his best. As it was, Lilian frequently turned to De |
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Getting thhe sex Life You Want and Deserve - Starting Wiith T www. med52. net. Italy manager group says dock pay for smorkes |
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oHw to Make a Woman Climax Under 180 Seconsds www. pill22. com. Sicentists fnid hibernating fish in Antarctic |
From: Smale Sabina<car...@xg...> - 2009-06-24 08:38:59
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From: Dolores<he...@ca...> - 2009-06-21 02:46:50
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3 sexy Lessons For Seducing Your Wife Inmto Makking Love (www meds25 com) Romp in woods ends in charsges for airlilne workers |
From: McAveney M. <sce...@he...> - 2009-06-20 15:49:51
|
Bedroom Bliss - 5 Ways To Keep Yuor Man Happy In Bed (www meds30 org) Grandpa Makes It As Poorn Sttar At 75 |
From: Ferrall S. <sol...@un...> - 2009-06-17 22:45:17
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Teacher erads mean paper on studnets aloud |
From: Kozisek<cru...@ch...> - 2009-06-14 09:34:15
|
Cop finds 6-foot gator inn sauspect's car |
From: Jérome L. <jer...@u-...> - 2009-04-09 19:01:10
|
Le 9 avr. 09 à 09:36, Gérard Degrez a écrit : > > Le 08-avr.-09 à 17:32, Jérome Laurens a écrit : > >> >> Le 8 avr. 09 à 15:43, Gérard Degrez a écrit : >> >>> Hi, >>> >>> Continuing my exploration of iTeXMac2, I am now experiencing a >>> problem >>> with the bibliography: clicking on Tex/Bibliography doesn't seem to >>> dp >>> anything whereas in contrast, manual bibtexing in a Terminal window >>> works fine. I also checked the application path, which seems to be >>> OK. >>> Any idea of what the problem can be? >>> >>> Regards, >>> >> >> you will have more informations in the TeX->Terminal window >> checking boxes >> - output >> - errors >> - iTeXMac2 >> The latter one may be of interest in tracking the problem > > OK. I guess I figured out what's wrong: it looks for the .aux file in > the wrong directory: here is the message in the iTeXMac2 window: > Making the bibliography of: /Users/grarddeg/Documents/Recherche/ > Publications&exposes/HEflows/JPhysD/HMachflows.aux > whereas it should look in > ~/Library/Application Support/iTeXMac2/Projects.put_aside/Users/ > grarddeg/Documents/Recherche/Publications&exposes/HEflows/JPhysD/ > HMachflows.texd > A wrong setting somewhere? > > Regards, > > Gérard this is a known problem The project created is "standalone" which means that all the aux files are stored in a separate location in order not to pollute the actual folder This facility is dedicated to small documents, precisely those with no graphics nor bibliography. You should turn your document into a "normal" one using the File- >Project->Normal menu item. This has to be fixed Jérôme |
From: Gérard D. <gd...@ul...> - 2009-04-09 07:36:21
|
Le 08-avr.-09 à 17:32, Jérome Laurens a écrit : > > Le 8 avr. 09 à 15:43, Gérard Degrez a écrit : > >> Hi, >> >> Continuing my exploration of iTeXMac2, I am now experiencing a >> problem >> with the bibliography: clicking on Tex/Bibliography doesn't seem to >> dp >> anything whereas in contrast, manual bibtexing in a Terminal window >> works fine. I also checked the application path, which seems to be >> OK. >> Any idea of what the problem can be? >> >> Regards, >> > > you will have more informations in the TeX->Terminal window > checking boxes > - output > - errors > - iTeXMac2 > The latter one may be of interest in tracking the problem OK. I guess I figured out what's wrong: it looks for the .aux file in the wrong directory: here is the message in the iTeXMac2 window: Making the bibliography of: /Users/grarddeg/Documents/Recherche/ Publications&exposes/HEflows/JPhysD/HMachflows.aux whereas it should look in ~/Library/Application Support/iTeXMac2/Projects.put_aside/Users/ grarddeg/Documents/Recherche/Publications&exposes/HEflows/JPhysD/ HMachflows.texd A wrong setting somewhere? Regards, Gérard > > > Jérôme > > ------------------------------------------------------------------------------ > This SF.net email is sponsored by: > High Quality Requirements in a Collaborative Environment. > Download a free trial of Rational Requirements Composer Now! > http://p.sf.net/sfu/www-ibm-com > _______________________________________________ > Itexmac-help mailing list > Ite...@li... > https://lists.sourceforge.net/lists/listinfo/itexmac-help |
From: Jérome L. <jer...@u-...> - 2009-04-08 15:32:19
|
Le 8 avr. 09 à 15:43, Gérard Degrez a écrit : > Hi, > > Continuing my exploration of iTeXMac2, I am now experiencing a problem > with the bibliography: clicking on Tex/Bibliography doesn't seem to dp > anything whereas in contrast, manual bibtexing in a Terminal window > works fine. I also checked the application path, which seems to be OK. > Any idea of what the problem can be? > > Regards, > you will have more informations in the TeX->Terminal window checking boxes - output - errors - iTeXMac2 The latter one may be of interest in tracking the problem Jérôme |