From: paul beach <sniffyraven@fa...> - 2008-06-09 20:32:31
Equal temperment is sometimes considered poor because it does not align
very well with the major third. There are other schemes here:
In particular when the next semitone is the 22-nd root or 31-st root of
two then; the third and fifth come into good alignment.
Is there a methodical way to implement this