Search Results for "gnu on windows"

A graphical interface for software synthesizer or sound-samplers. Currently supported is fluidsynth. Can be used to play SoundFonts, SF2 and MIDI files. Required is an installation of fluidsynth. Written in Python / Qt4.

The purpose of the program is to convert a color to a waveform you can use as a synthesizer oscillator inside a DAW such as FL Studio from Image Line. Many synths are provided with an option to load your own waveform, to replace the basic saw, square and sine waveforms commonly used to create synth sounds. The waveform generated by the program will correspond to the subliminal synesthetic sensation of the selected color. You can create your own synth presets to use in a track using color as a base.

Convert words to waveforms you can load into a synthesizer oscillator to create synth presets. Have fun turning your name, your friends' names, your city name, your pet's name, your team's name into synth presets you can use to produce a track.

A SoundFont editor and other software for editing, managing and sharing sample based MIDI instrument files for computer music composition. Support for other formats is planned.

Loris is a library for sound analysis, synthesis, and morphing, developed by Kelly Fitz and Lippold Haken at the CERL Sound Group. Loris includes a C++ class library, Python module, C-linkable interface, command line utilities, and documentation.

A C++ library and Python module for audio synthesis featuring dynamic digital filters. Nsound lets you easily shape waveforms and write to disk or plot them. Nsound aims to be as powerful as Csound but easy to use.

A musician's live performance VST host. This software is intended to help integrate VST technology into your live performances on stage, whether it'd be using virtual instruments or effects, or to automate audio routing.

Moodtrack contains Python classes for music-emotion analysis and assembly, enabling users to build soundtracks based on emotion and timing. USERS: Music Supervisors/Composers/Producers, Game Audio Developers, Content Providers. FILM DEMO: moodtrack.tv

Software for live sampling and audio processing. Algorithmic composition and improvised audio manipulation in real time. The audio engine uses Csound, and the composition logic is built with Python.

Schnolgo is a multi-format musical composition package written in Python. It is built with an extremely flexible system for representing rhythmic structures and is intended to allow for songs to be written so as to make use of "guided improvisation".

Nusq is a cross-platform modular music sequencer, intended to be sufficiently expandable, flexible and configurable for the technically-minded musician while still being accessible to the rest of us.

Octavia is a music description language that reads a text file and converts to midi. It also provides the full power of python interpreter.

sCrAmBlEd?HaCkZ! is a Realtime-Mind-Music-Video-Re-De-Construction-Machine.

oddioToolz (oz) aims to be a modular audio IDE geared toward realtime audio synthesis, manipulation, quantization, sequencing, interaction and the exchange of sound/modules/meta over computer and neural networks worldwide. oz needs help e-mail a dev!

Cabel is a graphical user interface for building Csound instruments by patching modules similar to modular synthesizers. Cabel modules are defined in XML files, so anybody with some Csound knowledge can write his/her own modules and play with them.

allTunes is an audible interface for the iTunes for Windows media player. This software is targetted mainly for use of by blind or visually-impaired users.

A modular audio programming language, designed to write applications quickly. Its main goal is real time audio processing, but it should be used for any kind of development.

The Python Sound Project aims to develop a productive community around Python, Csound and other synthesis engines as tools for algorithmic composition of electroacoustic music.

A Python interface to Microsoft's DirectSound8 SDK

SOMba is a Qt based program that allows multiple dancers to create a collaborative sonic space, using audio clips organized by a Self-Organizing Map. It uses the Marsyas framework for audio feature extraction and playback.